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- Seeking shelter from the rain in the closest froyo spot. --posted 2 days ago
- Upside down and traveling --posted 2 days ago
- Surfing with Maroon 5 @Saturdaysnyc --posted 2 days ago
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- Selfie http://t.co/OL2PKbqGVN --posted 4 days ago
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Monthly Archives: January 2013
I was first struck by the overwhelming blue in this photo, followed by the colored streaks in the middle of the frame, and then the fact that it’s Cam Wood in a roller rink. It’s definitely a fun photograph which translates nicely.
“This image was shot in Salt Lake City, Utah during the filming of S&M’s video, “Salt Lake Shake.”
Early on in the trip, the team was dealt with some crap weather for a couple days so Cam Wood made a call to his Uncle, owner of “fun-plex,” as I will describe it. A short drive up the road and I was unloading my bike and camera-bag out of the van. Complete with waterslides, a roller rink, an American Gladiator tennis ball cannon, and about 10 moon bounces; this place was an amazing photo location.
We rode around for a bit and I noticed a couple of the guys setting up the launch ramp/trashcan in the middle of the rink. My immediate thought was that I wanted to get the blue glow off the rink surface to come through in the shot, and considering the size of the setup, that I would shoot it Fisheye.
I setup 2 strobes: 1 out of frame left, slightly behind me and another out of frame right, just slightly out of the way of Cam’s approach. To get the saturation of the blue glow coming from the black lights I slowed the shutter and panned the camera with the action to freeze the rider. In addition, I adjusted one strobe to point up slightly, and set the other to Zoom. This was to keep from washing out the floor.
Camera: Nikon D300s, 10.5mm
Settings: 1/15 @ f/5, ISO 320
Strobes: 1 SB800 left @ 1/8 power- 8 ft away from subject
1 Sunpak 555 right @ 1/4 power- 14 ft from subject”
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Rupert Walker did an amazing job with the filming and editing of this four hour skatepark session in Coquitlam, BC. The whole foggy ambiance gives a slightly eerie energy that is perfectly counterbalanced by the soundtrack. One or two of the freehand shots are questionable, but the static tripod shots more than make up for it. With peaceful interludes and well-timed cuts, this edit is more for the cinematographer than the rider (no offense to the riding).
Maxime Bonfil by Simon Cassol
The colors in this photo slapped me in the face at first sight. Almost every hue is represented in the image. It is a very dynamic composition and the action is well-described. It’s a fun photo that touches a special place in my heart for skatepark gaps into grass.
“As many photos, this one wasn’t planned at all. It was just a quiet afternoon, riding and relaxing from last night. During the session, Max had this idea of whipping over a bench next to a bank, I wasn’t into taking photos this day, but he motivated me to try some and he was right ! So that’s about it, you never know when you’re going to shoot something cool !
This spot is a small skatepark, real good to ride, mostly street tech, and it’s near Toulouse in the south west of France. (And I’m assuming this was the last photo I shot in 2012, just for the non-sence fact ahah)
Concerning the specs, this was shot using a Canon 40D with a Tokina 10-17 fisheye.
Settings were 1/250s, F4 and ISO 100.
As for the lights, I used a quantum Q flash on the right (maybe at ¼?) and two vivitar 285HV on the left (both at ½ I guess).”
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