Author Archives: Scott Marceau

Push It A Stop Talk #2

We conducted the second round of the Push It A Stop photographer’s discussion last week while Tristan “Gutstains” Afre was in town, to address the questions we received from the first round and to explore some more camera-oriented situations that transpire while shooting BMX. We also go through our camera bags and give a quick rundown of the gear we use.

Please leave questions in the comments if you have any!

:42 – Gutstains intro, his #Glux

4:46 – address the questions from viewers (breaking into the scene,

6:37 – shouts to Andy Martinez, Danny Hickerson

7:07 – Seeing other photographers shoot, then seeing those photos in magazines

8:51 – Mysticism in photography

10:13 – “Just be a normal fucking person”

10:24 – Dylan Alvarado’s question (fear of rejection)

10:56 – Coldplay lyrics

12:45 – Progression, critique and the Push It A Stop Flickr group

15:06 – Hudson Naylor’s question (balancing riding and shooting time)

20:18 – Creative process when shooting BMX photos

22:30 – Guts talks about Shawn Mac’s feeble hop over from Holy Fit

26:14 – Having confidence in your settings, doing things right at the spot instead of photoshop

34:13- RIP Paul C. Buff

36:27 – Hypersync

37:23 – Laying in bum piss

39:09 – Test Shots

42:34 – Focusing with LiveView

44:47 – Histograms

46:27 – Shooting RAW

48:24 – Sunpak 555’s

50:00 – Bag Checks

51:00 – Scott’s bag

58:12 – Jeremy’s bag

1:08:00 – Mortensen’s setup

1:10:00 – Guts’ bag

1:19:18 – Shoelaces

1:19:41 – Wrap up/overview

1:21:51 – Last bits of advice

1:24:412 – Don’t give up!

Flip Clips Eight: Chasing Glaciers / Hidden Yin-Yang

It wasn’t easy, but I managed to condense the past fifteen months of my life into this 21-minute video. If I’ve held my phone sideways and pointed it at you sometime this year or last, you’re probably in this video. This includes: Addi Sasso, Alex Donnachie, Andrew Richards, Anthony Malvasio, Austin Aughinbaugh, Austin Oats, Ben Guinn, Bob Pergl, Brady Tweedy, Brandon Begin, Caleb Quanbeck, Charlie Crumlish, Connor Keating, Damian Racut, Dave Belcher, David Grant, Devon Lampman, Doroba, Elf, Erik Elstran, Ewip, Jason Govan, Joby Suender, John G420, John Hughes, John Yoh, Johnny Atencio, Juice, Julian Arteaga, Justin Anderson, Kevin Vannauker, Lahsaan Kobza, Manny Kilpack, Marv Morales, Matt Gutierrez, Matt Miller, Matthew Hartley, Mike Swift, Nick Barrett, Reed Stark, Rob Diquattro, Russell Blake, Sean Morr, Steve Tassone, Steven Hamilton, Steven Ocasio, Stevie Churchill, Tammy McCarley, Tanner Easterla, Tanner Nelson, Tenzin Nyangdak, Tom Lavorgna, Tom Villarreal, Tommy Gunn, Veesh, Vicente Candel, Victor Proto-Newton and Zach Sky. Also, there’s a single hidden yin-yang in one shot… Find it and I’ll buy you breakfast.

Germany – Get in touch with me (@scottmarceau) for a private link.

Framework: Steven Hamilton and a Columbus Dumpster

hamilton dumpster to invert

From RideBMX Issue #204

May 23, 2014, Columbus, Ohio

Canon 1DsIII
Canon EF 24-70mm f/2.8 lens @ 70mm
Canon 580EXII flash (zoom @ 35mm (?), 1/2 power)
Paul C. Buff Einstein 640w flash w/ 11″ reflector (probably @ 1/2 power (~1/2000 duration))
Pocket Wizards

1/250 @ f/11, ISO 100

A typical day of shooting with Steven involves picking him up with his bike, skateboard, thermos of coffee and backpack full of tools, hoodie and a TRV900. On this particular day, Shay Lashley and/or John Hughes were tagging along. Steven’s friend Rob met us at the spot- a small ditch in the corner of a vacant apartment complex parking lot. The goal was to film a few clips involving a shopping cart there but upon arrival, an upturned dumpster became the subject of focus. Well-versed in wallrides, Steven sessioned the shit out of the thing before I suggested we shoot a photo. I set up to shoot an x-up wallride with a standard 50mm lens. I put the Einstein to the right, just out of frame, and a Lumedyne 200w Action Pack to the left, sandwiching Steven in between.

ham dumpster 2

I was trying to work with the empty parking lot and lightposts but my composition ended up being pretty tired and boring. On top of that, it was so bright that I had to get my flashes closer to overpower the ambient light and reduce the motion blur. As per usual, Steven suggested I use a fisheye and for once I agreed with him.

ham dumpster 3

The shot definitely became less boring but the motion blur continued to be a problem even after closing down to f/11 from f/9. At this point, Steven was happy with the photo but I was not. In addition to my discontent, my Lumedyne battery died. I replaced it with a much less powerful 580EXII set on 1/2 power (~1/1600 duration). I asked if he could do a different trick and wait until the sun hid behind the clouds so that motion blur would be reduced. I also changed my angle so that he’d be moving toward the camera and not across the frame, effectively diminishing any possible motion blur issues. This is when we got the shot.

hamilton dumpster to invert

The Einstein is just out of frame to the right (you can kinda see the splash of light on the ground from it) about 6′ up and the 580EXII is just out of frame on the left, also 6′ high, simply to freeze his wheels a bit. At 100% you can see that there was still some unavoidable motion blur on his wheels, which were spinning super fast-

ham crop

So the table is looking dialed, √† la Joe Rich, but this angle doesn’t convey the distance he was traveling out of the wallride. This one does-

ham dumpster 1

I used some heavy panning to sharpen his lateral movement but I must’ve had the 580 at full power because his front wheel is lit up but a blurry mess-

ham crop 2
Peep the bling tho.

ham dumpster 4 Shot it once natural light for shits and giggles.

Woodward East – Summer Position Available

Woodward East is seeking a full-time photography instructor for the summer of 2015. The instructor will be in charge of the photography portion of Digital Media Camp and will work with campers in our 5000 square foot studio, in addition to the rest of camp. We are seeking working professionals with action and commercial shooting experience, including a broad knowledge of studio/location lighting and proficiency in Lightroom and Photoshop.

Applicants need to be at least 18 years old and able to commit to a full 12 week summer at camp, working about 7-8 hours per day, 5-6 days per week. Weekly salary plus room and board. To apply, fill out and submit an application at www.campwoodward.com. In addition, please send an introductory email and samples of work to Josh McElwee at jmcelweephoto@gmail.com and to Dave Metty at dave.metty@gmail.com

We look forward to hearing from you!”

“Glidecam BMX Tips” with Dalton Campbell

I’ve never used a Glidecam but I feel confident that I could now, thanks to this tutorial.

Tony Malouf Clear Water Beverage Promo

Expertly edited by dar man himself.

TCU TV – The Photographer’s Discussion

A while back, I had the chance to get a few established photographers in the industry together to talk shop. I had a loose list of topics we could hit and Jeremy had a list of his own. We didn’t get to hit nearly as many subjects as we would have liked to, but that’s usually how these things go. I think we did pretty well with the time allotted and we’re hoping that any aspiring lensmen will be enlightened by our discussion.

If there are any specific topics that you’d want us to hit for the next discussion, please leave them in a comment below.

1:09 – Jeremy Pavia introduction
2:47 – Chris Mortenson introduction
4:28 – Josh McElwee introduction
6:25 – Jeremy’s “Through The Lens” column from The Union
9:21 – “Film vs. Digital” (actually we discuss Dean Collins and teaching for a while)
11:22 – We actually start discussing the film versus digital thing
13:26 – Shoutout to the darkroom
18:53 – What’s your favorite f/stop?
21:31 – “I just wanna capture the moment and sometimes the moment is shitty”
23:00 – No more hanging posters
24:11 – “Print vs. Online”
25:08 – Gregory Crewdson
28:48 – Readership
30:16 – Vinyl vs. MP3
30:55 – The Albion
31:55 – Props on VHS
36:04 – Josh’s story
37:45 – DIG/Focal Point
40:57 – A watered-down industry
43:35 – The process of shooting/choosing what gear to carry
46:13 – Getting the shot
49:22 – Fuck barspins.
50:35 – A collaboration between photographer and subject
55:19 – Riders getting hurt while shooting
57:01 – Shoutout to Kiraly
58:34 – RideBMX‘s 1 o’clock photo project
1:04:19 – Let’s talk about gear
1:08:57 – Advances in photo technology
1:12:25 – How to get your photos noticed
1:13:44 – Looking outside of BMX
1:15:43 – Experience
1:17:14 – Final thoughts and comments