I love that a BMX community can exist and thrive anywhere in the world at any given time. It’s like flipping over a random rock in a park and seeing a bunch of tiny creatures crawling around and filming bangers with their friends. For this particular instance, the park is the state of Utah and the random rock is the southwestern city of St. George.
I’m not trying to say that these people live under a rock- it’s just a metaphor for their obscurity. The typical American citizen probably wouldn’t be able to locate St. George on a map but if someone were to say that it’s about a third of the way from Las Vegas to Salt Lake City then they’d get a decent idea. With a population of around 80,000, it’s good to see that there are at least five dedicated riders (this gives us an average of one BMX rider for every 16,000 people… Extrapolate that to the other populations and we can loosely calculate there to be right around 20,000 BMX riders in the United States (with 525 in NYC, 1,418 in Southern California and 55 in ATX… does this sound correct? Anyone want to help out with a national/worldwide count?).
At any rate, out of that small sample of the St. George population there is one guy who put in the time to produce a full-length DVD- Jon Tinsley. Using a single Canon T3i with a kit 18-55mm and a Rokinon fisheye lens on a P&C GearBox with a Neewer CN-160 light when needed, the video is filmed smoothly and properly without many frills or unnecessary flashiness. A DIY pinhole was used for the perspective-shifting stop-motion shots used as B-roll and segue shots- a very nice touch to the entire production. Jon used Adobe Premiere for editing.
Since I first read it, the title of the video posed questions. I drew my own conclusion that it was a jab at the church- like when an atheist octogenarian tells his step-grandson “the only people that need to go to church are newlyweds and nearlydeads” or something to that effect. Turns out it’s a sly comment on the population of the area with many young couples copulating and retreating retirees.
The spots in this region of the country remind me a lot of the small Midwestern town spots that I grew up riding- the loading dock behind the shopping plaza, a clutch stacked ledge setup in the elementary school courtyard and a dialed university nearby. I only recognized a few spots in the entire 20-minute video.
I didn’t recognize one song from the soundtrack, however. That’s not to say I didn’t enjoy it though. Comprised mostly of resurrected psych-rock, there was at least one song that I looked into. Ultimate Spinach is the only band from the soundtrack that I’ve seen used before.
The riding struck me as very innovative, given the spots being ridden. There were numerous tireslide moves I was psyched on, including one from Jon himself (his first clip I believe). There’s trails footage and some concrete park but the video is mostly street-based. Riley Carroll has a very memorable section with some flowing lines and unique spinning grind maneuvers. Everyone has a different approach with respective visions that complement nicely in this DVD.
Pick up a copy here.
If you have a video you’d like featured on the site, send a copy to 127 E. 5th street, LA, CA 90013.
Posted in BMX, Video
Tagged Adobe Premiere, Canon, DVD, Jon Tinsley, Neewer, P&C, Riley Carroll, Rokinon, St. George, Utah, Video Review
Jon Lynn and his new family at Mashable made this short film as a testament to the picture quality of the new iPhone 6s Plus and for a bit of comic relief. Although it’s not technically 4k (as it’s advertised), the resolution of each frame of video from this cellphone is higher than a single frame from my first digital camera. Make sure you enable “2160p” to view this in all its glory.
We produced this week’s #TUESDAYSATTIP (along with last week’s and a few before that).
Reed Stark came out to California with three days worth of clothes and a bloodlust for chunks of steel. Navigating and executing by day, moving under veil of tree-cast shadows by night, searching hours just for a safe floor to sleep on. All it took was one wrong step and Reed’s quest was forestalled until next season. With ice on foot and spoils in hand, Reed hitchhiked back to the Midwest to devise his next excursion into the jungle.
Coordinated by BSD. Thumbnail photo by Tristan Afre.
For the sixth installment of #TUESDAYSATTIP we brought Craig Passero and Marv Morales around to sprinkle the ramps with some Long Island seasoning. The heat was high but we found some shade and spent the whole afternoon having a great time riding the ramps and soon the next crew will do the same.
BMX Day was celebrated all around the world this weekend and in Chicago shit was goin’ off. Due to airline chicanery I almost didn’t make it but I’m so glad I did. Dan Lacey was the ringleader of the event and Brian Kachinsky showed us around the shoreline of the Windy City for a few hours before the rain put things on hold. Austin Aughinbaugh ended up with the Street Series ring but it was a tough call with Dan Kruk, Joe Jarvis, Dylan McCauley and Carlo Hoffmann hot at his heels. Derek Strong has a standout clip on the kinker while Mike Stahl put in some work on a clip that I’m sure he’s since gone back to get. Jeff Dowhen almost killed a man with his bike. Grant Castelluzzo was there stealing my angles and Mike Hinkens was looking dapper as always. Someone’s forks snapped at the end and the whole day was pretty crazy. I got wrapped up in the moment quite a bit and I’m pretty loud throughout this entire edit and lucky for all of us I recorded the whole day… I could only edit down to 41 minutes but I think with this amount of footage you’ll get a pretty good understanding as to what a completely awesome day on a BMX bike with a ton of great people in the Midwest is really all about.
Our entire day was dedicated to the life and memory of Glenn Salyers who undoubtedly would have destroyed every spot we went to.
We gathered three of today’s most prolific filmers (Tony Ennis (Deadline), John Hicks (Onsomeshit) and Christian Rigal (Markit)) to spark productivity and inspire creativity in anyone looking to advance their camera-using skills. We talk experience, travel, music, gear and more… Tune in!
If you’ve got any questions, just leave them in the comments. Listen to this on SoundCloud below and on iTunes here.
0:34 – “Still Searchin'” (End Search sequel that never happened)
1:40 – Christian talks about a sequel to Markit Zero and his new RED camera
5:47 – Hicks speaks
7:13 – Christian talks about dividing time between camera and bike and his newfound passion and respect for still photography
11:46 – Tony talks about his current projects and the Garrett Reynolds Red Bull video
14:34 – “Did you ever think you’d be in the position you’re in now as filmers?”
18:38 – Tony talks about his riding career and what gets him psyched and filming Deadline with dying cameras
22:31 – The importance of music in editing
28:47 – We talk about the diminishing amount of physical DVD’s being made
30:14 – Christian talks about filming with Tate Roskelley in 2009 and a video of a 14 year old Chad Kerley
34:14 – We talk about how Connor Lodes shot a cover of RideBMX and how Christian trusts him and Chad to film when he’s riding
37:19 – Everyone talks about their first cameras
41:18 – Reader questions (fish or long? any formal education in video? craziest thing that’s ever happened while out filming? (funny story about Mike Jonas) how does it feel when you eat shit filming? How long do you spend editing any given video? favorite editing software?
50:29 – Do you do video work outside of BMX?
52:40 – Tony alludes to a second Deadline video
53:57 – Export settings
57:12 – Rollerblades / filming boards
58:37 – Post production habits
1:01:46 – Preferred shutter speed?
1:04:32 – Rokinon / Pro Optic / off-brand fisheyes are sharpest at f/8
1:05:24 – Getting shit stolen
1:07:57 – Getting insurance for your gear
1:09:18 – Tripods
1:13:09 – Left eye or right eye?
1:14:38 – Christian’s bag(s)
1:18:30 – Tony’s bag
1:21:38 – Hicks’ gear
1:22:44 – Advice to beginners
Posted in Gear, Interview, Podcast, Tech, Video
Tagged Christian Rigal, Filming, John Hicks, Music, Scott Marceau, Tony Ennis, Video Editing, videography