Originally, Rados had uploaded a photo of the same trick in the same location with the same lighting, but without the rider framed in the lit rectangle. I thought it strange and commented on the photo, asking why he hadn’t done so. He replied that he actually had, and uploaded that image. That image is what you see before you now, the Photo of the Week.
“It was a hot summer day in Belgrade and around 37 degrees celsius. Bike Festival was held in city center. I got call from my friends to go there, so I packed my gear, took my bike and rushed to the festival. Half of the streets were closed because of a bike race and thats why route to the center wasnt complicated. Once I got there, there was a flatland demo session after which we went to ride, we found couple of places which would be impossible to ride if there wasnt bike festival. One of those places was this old building without windows and without roof, it was perfect place for shooting. The light was getting through opening of a window and thats what gave me idea for this photo. I asked one of my friend Miroslav Springelj aka Mire to throw some flat line on the spot where the light was, plan was to capture his shadow there. Setup was simple, only one Nikon SB24 flash (on the right side, behind the wall) triggered with wireless trigger. At the end of the day I finished with couple of great shots and one of them was this one.
Camera: Nikon D700
Lens: Sigma 28-105mm f2.8
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This photograph is visually striking because of the color contrast. The rider’s red shirt against the gelled blue environment demands your eye’s attention. The angle is simple but I like it- I feel like I’m standing there on the side of the ramp watching him ride it. The composition is great and I love that the coping meets the corner of the frame perfectly. From a riding standpoint, this is a first-rate tabletop at heights out of a vert ramp that most riders will only dream about.
“I woke up to the first snowstorm of the season in Baltimore with the day off work. Charm City Skatepark is our local indoor park here and they had just finished building one of the smoothest vert ramps on the east coast. First thing I did that day was gave my good friend John Burnie a call so we can shred that thing. He brought up the idea of grabbing a photo.
Once I got there I had noticed that the ramp was a much lighter color than anything else there. I am a huge fan of using color gels and had the idea to throw a #8 on an Einstein and hide it behind the matching pillar at the bottom of the ramp. I placed the other at the top of the ramp and got to work. John is a rider that get higher off the ground than anybody you’ll see without a sponsorship so he was the man for the job, ended up pulling a couple of steezy tabletops that this photo doesn’t do full justice to. End result was this photo, which is one of my favorites. I originally wanted to have the entire ramp in the photo but I had limited space. What I ended up with was much more satisfying than the goal set.
Camera: Canon 5dmk2
Lens: 17-40 @17mm
Shutter: 1/400 sec
Triggered with pocket wizard flextt5 with mc2′s for einsteins, both lights at full power (for hypersync)“
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“February in a bike shop here in central California is typically a slow time of year. On this day in 2012 Chad Osburn and myself took an extended lunch to ride Chad’s Alma Matter. After shooting a few other shots digi around the school, we stumbled on these rails. I knew this would make for a good medium format shot, due to the ambiance and timeless, reckless, high school feel. What obviously added to the difficulty, was trying to avoid the snack bar counter, but he ended up sliding a few nice slow cranks across the cool blue rail. I shot this packed up and back to the shop we went.
As far as flash setup, my memories a little foggy, but I believe I used two flashes – Sunpak 555 in the far back right approx. 8ft. back, and a Nikon SB-28 to the camera’s left facing Chad.
Camera: Hasselblad 500c/m with the 80mm 2.8
Aperture: f 5.6
Triggered with: Paul C. Buff’s Cybersync’s
Film: Kodak Ektar 100“
Check out more of Ryan’s work here. See more of Chad’s riding here.
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Not much to say about this photo- just that it will be the best Photo of the Week ever posted.
“This was shot on an unseasonably warm, rainy December day in Harrisburg, Pennsylvania. I was out shooting with Josh Stair, Evan Smedley, and Cody ‘Mclovin’ Neiswender when we rolled up to this rail. Josh fired out this switch tooth-hanger in one go.
Three lights were used in the making of this photo. The main light was an Einstein at camera right, about 8 feet up and aimed at the left side of Josh’s face, in order to cast a slight shadow on the side of his face most visible to the camera. This light was also feathered very far to the left in order to keep the light away from the building in the background. The rim light was an AB800 and came from camera left about 40 feet back. The large distance from the light to the subject causes the light to fall over a larger area, and gives me some detail in the trees on the right side of the frame. The final light was a Vivitar 285 on the ground, hidden behind the holiday greens on the bottom of the rail. This was just used as a general backlight and assisted in further separating him from the background.
Canon 5D MK II
1/200 at f/4.5, ISO 100“
Check out more of Josh’s work here.
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“The only downside to the sport of BMX is that it is inherently illegal. Even if you ride in skateparks, most don’t allow bikes, so you are technically breaking the law by riding there. But it is especially hard for us street riders. This day, Nolan [Santana], Joe and I were pedaling around the sketchier parts of South San Francisco in search for new spots. While cruising down the street, I saw Nolan hit this little wallride and thought it would make a good photo, as the wall framed him quite well with his black t-shirt and jeans. However as I was setting up my camera, the tenant came out and started to yell at us to leave after he heard the ruckus. Nolan and I really wanted this photo so we asked if we could just get one more go, and he said in his most terrifying voice “No, now I’m going inside to get my gun, and when I come out, ya’ll better be gone.” We gave it one more go and got this shot, and proceeded to get as far away from this spot as possible. This photo was shot on a 35mm Nikon FTN with no external flashes. I had the camera set at f5.6 with a shuterspeed of 1/250th. In the darkroom I had the enlarger set on a higher filter of 4.5 to really get that contrast and make Nolan pop off that wall. I also did some burning on the tops of the buildings to seperate them from the blown out foggy sky.“
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