Tag Archives: Scott Marceau

Vince Perraud Interview

French photographer Vince Perraud was in town a few weeks ago working on some personal projects and dedicated a couple hours of his time (on his birthday, no less) to sit down and talk with us. When I say “us”, there were so many people that wanted to be a part of this interview while there are only so many seats and microphones. Oddly enough, I was the only one who hadn’t met Vince before and therefore had the least business being in there. We subbed between myself, Chris Mortenson and Jeremy Pavia while Gutstains held it down and Reed Stark was there to share some stories from a rider’s perspective. Vince was a bit nervous and unsure how everything would go having a less-than-perfect grasp of the English language so we implemented some brain softener and upheld a more relaxed environment (and an untraditional format) to make sure everything would go as smoothly as possible.

1:30 – The challenge of breaking into a new scene
2:29 – Reed’s introduction
3:00 – Starting in BMX
4:35 – Growing up in a small town in France
5:14 – Mortenson pops bottles
5:45 – From bikes to cameras via knee injury
7:11 – Inspired by Manu Sanz
8:41 – Dealing with shotty equipment
11:51 – THE LIGHT
13:14 – Having an Instagram photo on the cover of RideUK
14:13 – First cover (Soul Magazine)
15:30 – His latest cover (RideBMX)
18:39 – Vince’s take on the death of print
20:09 – The challenge of being French
25:45 – Mortenson steps in, talks about nude women
28:04 – Having an assistant then not having an assistant
29:23 – Shooting without flashes
32:05 – Shooting events (Simple Session)
33:18 – Moving on from BMX
35:54 – The many variables in photography
40:14 – More about the Instagram photo that made the cover of RideUK
42:04 – “Do you do any video work?”
42:20 – Guts’ favorite Vince photo
44:08 – The infamous fisheye pool photo on the cover of Soul
48:36 – Waiting to put out photos instead of posting online
53:42 – Pavia steps in
55:08 – “What drives you?”
56:41 – “What is your end goal in photography?”
58:27 – “Have you “made it”?”
1:00:45 – One camera and lens setup for life, what would you choose?
1:02:56 – “How much value do you place on social media?”
1:04:53 – “BMX is so small”
1:06:24 – Three pieces of advice for the emerging amateur photographer
1:08:30 – Where do you see photography going?

Push It A Stop Talk #2

We conducted the second round of the Push It A Stop photographer’s discussion last week while Tristan “Gutstains” Afre was in town, to address the questions we received from the first round and to explore some more camera-oriented situations that transpire while shooting BMX. We also go through our camera bags and give a quick rundown of the gear we use.

Please leave questions in the comments if you have any!

:42 – Gutstains intro, his #Glux

4:46 – address the questions from viewers (breaking into the scene,

6:37 – shouts to Andy Martinez, Danny Hickerson

7:07 – Seeing other photographers shoot, then seeing those photos in magazines

8:51 – Mysticism in photography

10:13 – “Just be a normal fucking person”

10:24 – Dylan Alvarado’s question (fear of rejection)

10:56 – Coldplay lyrics

12:45 – Progression, critique and the Push It A Stop Flickr group

15:06 – Hudson Naylor’s question (balancing riding and shooting time)

20:18 – Creative process when shooting BMX photos

22:30 – Guts talks about Shawn Mac’s feeble hop over from Holy Fit

26:14 – Having confidence in your settings, doing things right at the spot instead of photoshop

34:13- RIP Paul C. Buff

36:27 – Hypersync

37:23 – Laying in bum piss

39:09 – Test Shots

42:34 – Focusing with LiveView

44:47 – Histograms

46:27 – Shooting RAW

48:24 – Sunpak 555’s

50:00 – Bag Checks

51:00 – Scott’s bag

58:12 – Jeremy’s bag

1:08:00 – Mortensen’s setup

1:10:00 – Guts’ bag

1:19:18 – Shoelaces

1:19:41 – Wrap up/overview

1:21:51 – Last bits of advice

1:24:412 – Don’t give up!

RideBMX “One Moment in BMX” Video

Late last year Ride went to their contributors with the idea of shooting photos at a specific time to showcase just how much BMX is going on around the world at any given time. November 23rd at 1pm PST was go time and teams of riders, photographers and filmers from California to Spain all converged on that One Moment to collectively create something special. The article came out awesome and this video does well to show the anticipation, the build up and the payoff of one extraordinary moment in BMX.

TCU TV – The Photographer’s Discussion

A while back, I had the chance to get a few established photographers in the industry together to talk shop. I had a loose list of topics we could hit and Jeremy had a list of his own. We didn’t get to hit nearly as many subjects as we would have liked to, but that’s usually how these things go. I think we did pretty well with the time allotted and we’re hoping that any aspiring lensmen will be enlightened by our discussion.

If there are any specific topics that you’d want us to hit for the next discussion, please leave them in a comment below.

1:09 – Jeremy Pavia introduction
2:47 – Chris Mortenson introduction
4:28 – Josh McElwee introduction
6:25 – Jeremy’s “Through The Lens” column from The Union
9:21 – “Film vs. Digital” (actually we discuss Dean Collins and teaching for a while)
11:22 – We actually start discussing the film versus digital thing
13:26 – Shoutout to the darkroom
18:53 – What’s your favorite f/stop?
21:31 – “I just wanna capture the moment and sometimes the moment is shitty”
23:00 – No more hanging posters
24:11 – “Print vs. Online”
25:08 – Gregory Crewdson
28:48 – Readership
30:16 – Vinyl vs. MP3
30:55 – The Albion
31:55 – Props on VHS
36:04 – Josh’s story
37:45 – DIG/Focal Point
40:57 – A watered-down industry
43:35 – The process of shooting/choosing what gear to carry
46:13 – Getting the shot
49:22 – Fuck barspins.
50:35 – A collaboration between photographer and subject
55:19 – Riders getting hurt while shooting
57:01 – Shoutout to Kiraly
58:34 – RideBMX‘s 1 o’clock photo project
1:04:19 – Let’s talk about gear
1:08:57 – Advances in photo technology
1:12:25 – How to get your photos noticed
1:13:44 – Looking outside of BMX
1:15:43 – Experience
1:17:14 – Final thoughts and comments

Tafari Smith 2014 Video

On the East Coast this time of year you’re nearly required to leave the house with a few layers and these freezing temperatures lead some us to believe cruising the city in just a simple teeshirt will ever be an option again. Contrary to that belief just a few short months ago it was a daily thing and Tafari Smith proves it right here with some clips from the warmer months cut and captured by our very own Scott Marceau.

Flip Clips Seven – The Usual Plus

The usual Flip Clips plus a little extra time and effort. The usual McCarren skatepark clips plus some Europe and Cali footage. The usual ragtag cast and crew plus Blackman and Hamilton and a cameo by Regis Philbin. The usual soundtrack that no one seems to like plus TV samples that may or may not make sense. Enjoy, enjoy!

Desktop Wallpaper: Scotty Wemmer

scotty euro 2

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We shot this photo in Tulsa, OK in March of this year. The spot is called “Hell Ditch” and it’s rather amazing. I had Damian Racut film me setting up and shooting this so that I could make a walkthrough video. I was kinda drowsy, only getting a few hours of sleep on a hotel floor the previous night so I was not 100% mentally acute. My Canon flash wasn’t firing every time and I didn’t realize that. I’m pretty sure it didn’t fire for the final image but oh well.

Thanks to Scotty for doing numerous euro tables, Damian for filming the walkthrough, Rob DiQuattro for comedic relief and Bobby Simmons for moral support.

As a holiday gift, here’s an outtake shot of Rob airing from the other side that you can also have for wallpaper (unfortunately neither of my flashes on the right fired):

rob hell ditch

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Here is the making of this photograph:

Hasselblad 500 C/M
80mm T* f/2.8 lens
Kodak Ektar 100 film
2x Lumedyne 200w Action Pack
Vivitar 285HV
Canon 580EXII (did not fire)
5x PocketWizard Plus II’s
Digi- Canon 1DIII, 50mm f/1.4 lens

The final image was scanned on an Imacon Flextight X5 scanner and large format prints were made on an Epson 9880 printer (prints are available for purchase)