The first thing I noticed about this photo was the unique perspective – how Rudy chose to shoot from behind the ramp. If the rider hadn’t gotten high enough to clear that back railing, the shot would be a wash. Luckily the nicely lit barspin was thrown at a perfect height and this photograph was a success.
“Pretty much, this prefab park isn’t too far from where I’m now staying and is located in a parking lot of a cop station. I recently just started hanging out with A.j whose riding abilities are on another level. He got off at 8 pm and we met up at the cop station park & just did bikes on it. As usual, I got hyped at around 9:04 pm, before going to this other spot, when I saw him doing tucks & bars on the neat green little quarter pipe. Well crap at that point, my monkey instincts kicked in naturally & began noticing this tree I could climb like a damn ape that has been injected with heavy doses of caffeine. I originally was getting a snap of the tuck no-hands but he did this barspin, which caught me off guard, but was able to get lucky enough to snap this at a decent time or at least what I think is a decent time. I think my settings were ISO: 400, Shutter: 60, aperture: maybe 7.1 (p.c is acting up to get correct info.) Also, I’ve never owned a legitimate camera bag but hopefully one day that will change that I can get to experience that. And using a vivitar & sunpack off camera flash and still shooting with that canon t3 but i think maybe that might be changing soon.”
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This photo was a huge hit in the Push It A Stop Flickr pool for obvious reasons. First off- that sunset is gorgeous. Those are the colors that everyone wants from a sky at dusk. So the timing with that (and the timing on the trick) could not have been much better. The bright green leaves pop amazingly against the sky without distracting from the action. Composition is on point with the landing of the previous set framed in the bottom left which guides your eye directly to the tire marks launching straight off that lip. Then boom, there’s the rider, lit so nicely, portraying a beautiful 360 table. He is framed perfectly in the sky between the dark tree line in the background and a small branch of lit leaves closer to us.
“Most of the time at Redbox I will ride, as it’s one of the few lines in Austin that I can make it through. Scott Glannan was throwing some awesome sauce on this last set, so I got out my camera just before the sun went away.
I set up an AB800 far right at ¼ power and a 285HV at ½ power, behind the landing in the foreground. I was using a Rebel T2i w/17-40L. I am currently looking for a new camera body but haven’t come upon the right deal for me yet (anyone selling a 5D MkII hit me up!)
I started with iso100 but changed it up to 200 as the natural light faded. I also cranked the 285HV to full power to get that tree lit up better. Final settings were 1/200th f4 with iso200. I was really stoked on how Scott folded himself in between the tree lines, a few people asked to see the photo on my LCD and I got some great feedback, much appreciated guys!
Thanks to Scott for giving me time to set up, and being an all around rad dude. Also, thanks to all the people I’ve been shooting with recently, you rule!
Rebel T2i w/17-40L @29mm
Alienbees B800 w/ vagabond
3 x Pocket wizard Plus X”
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I found this photo after Van had entered a photo of himself in the bunnyhop photo contest, popping a stylish hop in the middle of a pristine, fragile-looking living room. I was intrigued and looked through some of his other work and found this. I thought it was funny and original and asked him about it.
“Damn. It’s been over four years since I shot this. The marks on the wall are long since gone, despite having persisted in randomly appearing briefly every now and then over the years. Riding in unusual places is something I’ve always enjoyed. Or maybe I just go crazy on rainy/freezing days. Self-shooting with a “stock10″ timer is a fun challenge for me, it’s like, “Shit, what can I do, when I gotta do it, now.” I’ve done shots in my room, the living room, the basement, and here, the hallway. I tried setting up a shot for a cave-man into the stairs. Fell trying to get everything set up, so that idea died quickly.There’s a full series I’ve wanted to do, just never got around to finishing it. I probably should.
This was at 1/125, f/8 my gold standard back in the day. Iso was probably 100. The flashes were high left, low right, probably something like a 1/4 power Vivi285 and a 1/8 powerSun555, respectively. I had my 20D with a Tokina 10-17 + 1.4 tele-conv. at about 35mm, all said and done. This was a meager attempt at imitating film, something I love, respect, but can’t bring myself to have an ongoing relationship with; shoot me.”
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I’ve said it before- the tuck no-hander is one of my least favorite tricks. However, this photograph transcends my distaste for the tuck and I’m pleased to present this week’s photo. There’s a perfect balance of dirt and trees, with the rider nestled comfortably in the dark area of pine. The red shirt plays off the green background quite amazingly and the small speckles of dark blue evening sky combined with his orange grips round off a pleasing color palette. The lighting is great, the timing is on point and using the dirt in the foreground in the bottom-left corner keeps your eye contained within the image.
“This photo is of my buddy Augie Adee doing a tuck no hander in Bakersfield, CA. I haven’t really shot much at his house this year so, when I got a text saying Mike Saavedra and a group of guys from France who he calls the French Connection were coming to town I grabbed my gear and drove over to Augie’s house. He has an amazing back yard set up going from crazy dirt jumps to a mini ramp. I had to wait until the sun began to go down so they could ride the trails, soon the sun went down enough to shoot. I decided to set up my flashes on the second jump that’s a right hand hip after I got everything set up, I began to shoot a few shots as they warmed up. and like always my cowboy studios trigger began to not want to work on my main flash after I put some fresh batteries in it fired. After I got my flashes figured out Augie threw this amazing looking tuck which he had to do twice. I would like to thank Augie for having to do this twice.
Canon 55-250 lens
Canon 270ex flash (left hand side of the jump)
Vivitar 550 fd flash (right hand side)
Cowboy studios flash triggers
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The first thing I noticed about this photo was the way the vertical lines are perfectly vertical. This is something I always try to achieve in my photographs. It is never actually necessary to do so, but in some fields of photography (especially architectural) you always want the verticals (of a building) to be straight up and down. It just looks so, so clean. Besides that, I liked the way the overpass cuts off the upper-right corner, containing the entire frame and not letting a white sky spill onto the background. The lighting is simple yet effective. The two red signs in the background are a nice touch of accent.
“I shot this photo of Joe Bolden doing edger foot jams on a windy cold Saturday. We met up with Houston street rider Brian Peters who then took us to this amazing spot under a freeway in Houston, TX. Btw, if any out of town riders are rolling through Houston & looking for street spots to ride, Brian Peters is your man. Back to the photo, we originally were here to get video street clips which we did but soon after busted out the photo camera to get some photos as well. Joe Bolden handles his street weapons with skill and fury and possess the ability to hurl edger foot jammers into objects, impale them on sharp objects or throw them off ledges. Other than it being unbelievably windy this day and the strong wind knocking over one of my flashes and breaking it, we had no hassles by any one. Anytime you have a Saturday of bicycles, coffee and friends, its sure to be a great day.
Camera: Canon EOS Rebel T3
Exposure: 0.01 sec (1/100)
ISO Speed: 200
Flash: Sunpak & Vivitar 28FD (courtesy of Zipps. I still have it dude!)”
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