In this video photographer David Robinson hooks an Elinchrom flash to a drone to get some spectacular lighting on his MTB shoot. I don’t think this will necessarily catch on as a trend but hey, it’s cool and different. Thanks to Zach Honahan for sending this in.
DIG caught up with the one-and-only Mike Manzoori to talk about his current project with etnies and switching between roles in BMX and skateboarding. A couple quotes I pulled-
“The landscape of videos has changed. ‘Grounded’ was a DV project. The level of video production has been raised since ‘Grounded’. We’ve been flooded with amazing toys that are now affordable, so you can get higher level production quality without spending a fortune… I feel a lot more pressure on me to do good. It’s not just capturing the tricks, but telling a whole story. It’s a lot more fun.”
“…the last few years I’ve been trying to shake the fisheye. Every video, skate or bike, has a lot of fisheye shots. It has it’s place, but it’s nice to leave that lens until you really need it and see what else you can do.”
Our recent podcast guest Travis Mortz explains basic daylight exposure for his local film lab. It’s like learning to read light instead of words.
Sandy Carson is part of the original Fairdale family which started back in January of 2012 and as a full time photographer he’s always doing something exciting wether it be on his bicycle of off. Hit play to take a seat w/ Sandy to hear a bit more about what he’s done and what he’s got goin on.
Our friend Kris AKA DaTurtleKing AKA I’m Eugene made these t-shirts featuring his depiction of the iconic Jeff Z photo of Edwin doing the West Side Highway Car Wash railhop. They are available for purchase here.
Tagged DaTurtleKing, Edwin De La Rosa, I'm Eugene, Jeff Zielinski, Kris Kim
Jon Lynn and his new family at Mashable made this short film as a testament to the picture quality of the new iPhone 6s Plus and for a bit of comic relief. Although it’s not technically 4k (as it’s advertised), the resolution of each frame of video from this cellphone is higher than a single frame from my first digital camera. Make sure you enable “2160p” to view this in all its glory.
I began corresponding with Travis through the Push It A Stop Flickr page after noticing his extensive use of film- most notably shooting some riding shots on large format. He let me know that he’d be at Texas Toast with his 4×5. Sure enough I saw him there lugging around the behemoth of a camera, complete with tripod and dark cloth, and a Hasselblad slung around his neck. We spoke and it soon became clear to me that Travis is both a camera fanatic and dedicated film user. He is informed, experienced and well-traveled. Sitting down and discussing all aspects of photography with Travis opened my eyes to some things I hadn’t considered regarding technology and the lack thereof required in the art. He is someone who understands the power of the camera and loves every part of it- from the equipment to the process to the ethereal qualities of a Polaroid of his daughter. I introduce to you the Ansel Adams of BMX, Travis Mortz.
0:30 – How was shooting at Texas Toast with a 4×5 camera?
2:25 – Travis’ shortened life story and first rolls of film
5:18 – When has film failed you?
6:32 – When has digital failed you? (pretty crazy story involving Tony Hawk)
9:50 – Travis’ formal education in photography and the arts
11:58 – Favorite photographs?
12:42 – Crazy story about Dorthea Lange and a Linhof
16:06 – Online portfolio?
17:05 – Your favorite film?
17:45 – Your lighting setup?
19:19 – Travis asks me about my film-use frequency
22:03 – Travis describes his darkroom setup in the mountains
25:04 – What are your film buying habits?
27:02 – “People are scared of film for some reason”
27:28 – You ever been fucked by a lab?
28:56 – Recent camera purchases?
31:59 – “My results will always be different”
32:39 – Favorite developer?
34:02 – Travis’ theory on preservation
35:20 – REMEMBER TO START UP YOUR EXTERNAL HARD DRIVES AT LEAST ONCE A YEAR
(A great discussion erupts here and some really good points are made.)
40:02 – We go through the gear that Travis brought with him
48:54 – Shooting at Woodward Camp
51:30 – Travis talks about his recent trip to Sweden and how Hasselblad wrote a story about him
54:06 – “My biggest project is documenting my daughter’s life”
