Tag Archives: Vince Perraud

Vince Perraud Interview

French photographer Vince Perraud was in town a few weeks ago working on some personal projects and dedicated a couple hours of his time (on his birthday, no less) to sit down and talk with us. When I say “us”, there were so many people that wanted to be a part of this interview while there are only so many seats and microphones. Oddly enough, I was the only one who hadn’t met Vince before and therefore had the least business being in there. We subbed between myself, Chris Mortenson and Jeremy Pavia while Gutstains held it down and Reed Stark was there to share some stories from a rider’s perspective. Vince was a bit nervous and unsure how everything would go having a less-than-perfect grasp of the English language so we implemented some brain softener and upheld a more relaxed environment (and an untraditional format) to make sure everything would go as smoothly as possible.

1:30 – The challenge of breaking into a new scene
2:29 – Reed’s introduction
3:00 – Starting in BMX
4:35 – Growing up in a small town in France
5:14 – Mortenson pops bottles
5:45 – From bikes to cameras via knee injury
7:11 – Inspired by Manu Sanz
8:41 – Dealing with shotty equipment
11:51 – THE LIGHT
13:14 – Having an Instagram photo on the cover of RideUK
14:13 – First cover (Soul Magazine)
15:30 – His latest cover (RideBMX)
18:39 – Vince’s take on the death of print
20:09 – The challenge of being French
25:45 – Mortenson steps in, talks about nude women
28:04 – Having an assistant then not having an assistant
29:23 – Shooting without flashes
32:05 – Shooting events (Simple Session)
33:18 – Moving on from BMX
35:54 – The many variables in photography
40:14 – More about the Instagram photo that made the cover of RideUK
42:04 – “Do you do any video work?”
42:20 – Guts’ favorite Vince photo
44:08 – The infamous fisheye pool photo on the cover of Soul
48:36 – Waiting to put out photos instead of posting online
53:42 – Pavia steps in
55:08 – “What drives you?”
56:41 – “What is your end goal in photography?”
58:27 – “Have you “made it”?”
1:00:45 – One camera and lens setup for life, what would you choose?
1:02:56 – “How much value do you place on social media?”
1:04:53 – “BMX is so small”
1:06:24 – Three pieces of advice for the emerging amateur photographer
1:08:30 – Where do you see photography going?

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Chasing Light with Vince Perraud

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Interview and editorial photos by Chris Mortenson. All other photos credited to Vince Perraud.

I’ve been a fan of Vince’s work for quite sometime now. His photographs are more than just pictures of people doing tricks. He is capturing the culture that surrounds BMX in one of the purest ways I’ve seen in. Be it using natural light or throwing a small strobe in the mix, his photographs capture what it feels like to be out riding with your friends and enjoying all the adventures that riding bikes can bring. When I found out that he was coming through Los Angeles for the Couch Riding trip I set up a time to link up on a roof in Hollywood and watch him make some pictures with flatlander Matthias Dandois. After hanging out with Vince I can say he is one of the most humblest of people I’ve met and I can’t wait to see what he creates in the future.

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For the people who might not know you, can you please just give a little introduction?

Yo What’s up! I’m Vince Perraud I come from France and I take picture for something like 9 years now, a bunch of BMX… and I never meet up Jean De Crepe aha.
 
You have a pretty big collection of cameras in your bag, could you talk a little bit about this and how you came to have such diversity?

Ah yes I have a bunch of cameras because all of them have a specificity and it’s fun to use!! OK I have to admit all of them are half fucked so I need all of this to shoot! It depends on what subject I’m shooting. It’s just cool to vary from fucking digital.

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What is your favorite camera to shoot with and why?

Depends on the mood but I would say the good old Bronica SQ! It’s medium format so the 120 film gives a good result, nice depth of field and you can synch at 1/500…and it’s cheap too!!

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When out shooting do you have any special process you go through while making images, or do you let things happen organically?

I would say improvisation but now I try to work on it, like check the location, best time to shoot with the good light etc…
 
Do you find inspiration in photography outside of BMX, and if so, do you find it easy to adapt that inspiration into BMX photography?

Yeah I try to check all sort of photography, like music, architecture, fashion… and mix it because to make nice pics for any subject you have to work on the composition, light etc… But bmx is really free and there are so many aspects to the culture, I don’t necessarily think about it, but bmx (same as skate) photography is really creative!!
 
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I’ve noticed in your newer work, you are shooting with a lot of natural light vs. strobes. Can you just talk a little bit about the shift and how it has affected your shooting style.

Ah yeah I shoot more natural cause my flashes are fucked!! You have to make choices also when you travel by plane, it’s really annoying to be limited on stuff you can bring with you overseas, so recently I was less into flashes and I tried to work more with ambient… and it takes less time to set up so you don’t piss of the riders. You ready already! It’s better for lifestyle too!

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Who are some of your favorite photographers outside of BMX?

I have a bunch of various inspiration but the ones that are always sick are: Foster Huntington, Scott Pommier, Chris Burkard, Kenneth Cappello, Brian Gabermann, Eric Antoine, Michel Sedan, Jérôme Tanon, Kristina Fender, Fred Mortagne, Mike Piscitelli… in no particular order.. My favorite at the moment is Purienne.
 
Do you have any personal projects you are working on?

Good question! I would say going to vacation with my girl…
 
Do you think it is necessary to study photography to understand how to create good images?

Hum not sure, most of the dudes I know never study photo… but it’s a good advantage to know the sport well when you snap bikes for example…
 
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How do you think the ease of image sharing has effected photography within BMX?

I don’t know, everything is going faster and faster. It can bring more ideas or creativity but I feel like it’s too much nowadays…too much shit and the good stuff are flooded in middle of crap… it’s also harder to stand out…
 
When was it that you felt like you really hit your stride and found your vision as a photographer?

I’m still searching ahah.

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Do you have any advice for the up and coming shooters of the world?

Go out with you friends and snap instead of chilling in front of the laptop! 😉

Photography below by Vince Perraud.

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“Last Hour” Photo Gallery by Vince Perraud

last hour in nz

“I’ve been really fortunate to meet up with Ryan Lloyd, Luke Peeters and the crew at Gorge Road Trail in New Zealand during their very last hour of filming for the United video « Aesthetics »… Many thanks to Nathan (the Boss of this piece of paradise) to allow me to snap couple pics here…” –Vince Perraud

Last Hour in NZ