Category Archives: Photo

Photo Of The Week: Benjamin Smith

BenSmith_PUSH_POTD

“I took this photo one evening at my friend John’s mini ramp that was just recently constructed. As the sun was setting we decided to setup up an older box jump take off lip “upside down” to create a pocket air transfer. I setup two vivitar 285hv’s for lighting to mix with the reddish evening glow that was going on. Went with the low fish to help the ramps frame the rider with their distorted look.”

– Benjamin Smith

Canon 5d mk1

Zenitar 14mm

ISO 125

Shutter : 1/250

Aperature : 5.6

Pocket wizard mini tt1 & Plus X slaves

2 vivitar 285hv‘s set to max power

Rider: John Campbell

Location: Helena, MT

Check out some more of Ben’s work right here.

Markit Behind The Scenes Photo Gallery

tyler-right-b4-roof-drop-e1406574093754-878x1300

Markit has a tight gallery up on their site from the lens of Dennis Enarson and within you will find photos like this one of Tyler Fernengel seconds before doing the unthinkable (which you can see in his most recent video). To enter the gallery click here.

“rad.” by Rob Perry

rob perry rad

“I’m Rob Perry, I ride BMX and I study photography at college. I had started to create a small collection of my favourite photos that I had been shooting and I thought that it would be cool if I could make a small book or layout design to show these photos and also show off our BMX scene in Milton Keynes, England to everyone. However, I didn’t know how to create this layout/book.

Then luckily in college a few weeks later, a project came up where we had to create a photo journalism piece and straight away I knew I could use BMX. I could work with these images while learning a way to create this small book. This decision meant that I could be out riding, shooting more and having a good time with the different people that ride from our crew in the Milton Keynes area. Throughout this project while shooting the photos, it helped me to think more about the photos I was taking and to look into them to see what is actually happening around the BMX rider to do with the background and the framing of everything. This helped my photos as it meant the viewer would feel more involved with the atmosphere of the whole photo and the people. I took all of these photos on a Canon 500d and an Olympus OM-10.”

Fisheye Photo Contest Winners

moliterno fisheye

The results are in! Greg Moliterno takes the cake with this high-intensity shot of Shane Cecil. Runners-up:

duffield fisheyeKyle Lee by Shawn Duffield

josh moore fisheyeMike Curley by Josh Moore

ewan fisheyeEwan Thacker

kevin fisheyeBenjamin Martinot by Kevin Proust

Pegs N’ Bacon Framed Prints Available

regis and rone

Framed 24×36″ prints from Scott Marceau‘s Pegs N’ Bacon show are available for purchase in the TCU webstore. This photo of Regis is also available on a limited edition t-shirt. You can view the entire gallery online here.

Fisheye Photo Contest

fisheye photo contest

Since the popularization of the fisheye lens in the 1960s, its use has varied from scientific applications to hip hop music videos to caricaturistic portraits of Golden Retrievers. Its value in the action sports realm burgeoned with help from the early pioneers of skateboard photography like C.R. Stecyk, Glen Friedman and Hugh Holland. The ultra-wide view and extreme distortion adds energy to the subject while keeping them in context with their environment. It also helps when there are obstructions in the scene which work against the use of a longer focal length.

Regardless of the reason, action sports photographers use the fisheye a lot (too much?) and it doesn’t take a professional to recognize when it’s being used incorrectly. While I like to believe that there are no “rules” in photography (therein lies the art), there are definite guidelines and any photo editor will tell you that the fisheye lens brings with it a certain expectation that the photographer will follow them- to a certain extent.

My go-to comment in the Push It A Stop Flickr pool is “get closer!” when I see a fisheye photo where the rider is a speck in the frame (and the rest is filled with useless information). I read/heard somewhere that “if the fisheye isn’t in danger of getting hit then you aren’t using it correctly.” This somewhat hyperbolic statement rings true in what my friends and I used to call “the DIG cover shot” (shouts to Ricky Adam) where a headless rider’s front wheel had to have been brushing the camera.

Mike Tag Stockwell print

On the other end of the spectrum, the fisheye can be used to fill the frame with an exaggerated environment while the rider- still the subject of the photo- becomes a drop in the ocean (the most prominent example in my mind being a photo of Mike Hoder riding the ramp in his Brooklyn backyard shot from the upper-level fire escape by Rob Dolecki).

This contest is about proper fisheye usage, not just seeing who can get their lens destroyed by a flying bike.

Upload your entries (limit 3) to the Flickr pool with the words “Fisheye Contest” somewhere in the title. Much like the guidelines for using the fisheye lens itself, the rules for the contest are vague and will probably not be adhered to. In any case, we will choose our favorite fisheye shot at the end of June.

Winning photographer and rider will receive Push It A Stop/The Come Up prize packages and be featured on the front page.

Good luck and be careful of front wheels!

scotty fufanu chenga 2002Scotty Wemmer, 2002

ART BMX Webzine Issue #7

ART BMX web#7 contenu

As always, this issue of ART BMX is filled with foreign words and great photographs. Check out the photo on page 63- definitely one of the most spectacular flatland photos I’ve ever seen but also one of my favorite riding photos ever (shot by Christian Vanhanja). Also on that note, our good friend Josh McElwee has a photo piece starting on page 142.

“Jack Kelly in Cali” by Daniel Johnson

jack_opp_tooth_west_rail

You’ll probably recognize Daniel‘s name from a number of Division Brand edits and associate him with fast and burly riding, but I sure didn’t know that he’s got an eye for photography and knows his way around a camera- check out his website for some breathtaking landscape shots (also seen on his Instagram). He sent in these photos that he shot with Jack Kelly during a trip to California a few months ago to film for his recent Colony edit, and damn, they are clean.

I remember Cooper and DJ were talking about heading to California for a month to ride, so I asked if I could tag along. I’ve been to America once before, but without my bike, so I really wanted to go again and ride after seeing some of the spots they had in person. That month of just riding, hanging out with awesome people and riding amazing spots was incredible. I can’t wait to go back, thanks to Colony for helping me out with the trip. – Jack

Jack Kelly in Cali

CineMarkit Photo Gallery

cinemarkit gallery

Brandon Means dumped a grip of photos from the the Cinema/Markit trip that produced this incredible edit

Niki Croft Gallery by Rich Maciver

niki - 1

(Foreword: Niki’s near-fatal injury in 2010)

“One of the reoccurring comments I’ve read or had people say to me since the edit went online, is how great it is to see Niki “at peace” with his bike these days. At first this is quite an odd thing to hear, but on reflection is perfectly true. There was a great feeling on the trip, a vibe that could only be present with a rider who is, for want of a better word, happy.

We woke up at 6am most days, explored the cities at sunrise, had a couple days to chill, BBQ and drank coffee at little café’s – this was a riding “holiday” more than a riding “trip”. Perhaps now I see this attitude really was a reflection of how comfortable Niki now is not with himself on a bike, but BMX in general.

One of the many moments I’ll remember from this trip was the opposite table we shot of Niki at sunset in Kortrijk. That afternoon we were driving from Oostend to Kortrijk. After filming some lines and sessioning with the locals we left to go grab some dinner. At this point we had no Sat-Nav, we were doing it old school and following road signs. With the intent of heading to Antwerp that night, we got a little lost just trying to get out of Kortrijk. The sun was setting in the distance when we both saw Kortrijk skatepark at the end of the road … we’ve just driven back on ourselves.

However, it turned out to be a blessing in disguise. With the sun lighting up the sky a blood red Niki turned to me bursting with his usual, sometimes intense, enthusiasm and said “Richie, want to get an awesome photo here!?”. Well … you don’t need to ask me twice!

I don’t know many riders who would be up for that after riding all day. However Niki has a great appreciation for “the moment” and I’d like to think that’s a quality that comes from being “at peace” with himself and his bike. The fact that came across in the edit, I take as a big compliment.

Between filming, we managed to shoot the odd photo. Here’s a collection of some of the moments, I hope you enjoy.”

Rich Maciver

Niki Croft Gallery by Rich Maciver