Category Archives: Gear

Behind the Photo with Fat Tony

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“To set up the shot I put my main flash on a tall light stand just over my left shoulder as I was crouching down with my 15mm fish eye lens. This was right at 180 degrees from where the sun was coming in from the trees and served as the only flash lighting up Scotty and his bike. The ambient light behind him gave a pretty good key light on his helmet, shoulder, and arm. I would have liked to have another key light hitting the back side of his rear tire, but I only had three flashes with me, and the other two were used to light up the under side of the take off. With that said, I set up my two fill flashes low to the ground just out of the right side of the frame pointing up at the under side of the wooden launch. Without them lighting up the take off it was very dark and shadowy with little to no detail in the wood. Since the take off was so unique in this setup it was important to me to show where he was coming from in the best way possible.

These trails are located behind John Jennings’ parents house, and on the day we were scheduled to shoot Scotty couldn’t get in touch with any of the locals to unchain the roll in, so he had to find a very creative (for lack of better words) way to get the speed for the gap. Being the boss that he is, Scotty not only got the speed, but fully clicked a turndown on his first and only go at it. One and done, in and out…off to the next spot!

PHOTO INFORMATION
Date: May 10, 2013
Location: Area 51 Trails, New Jersey
Camera: Canon 5D Mark II
Lens: Canon 15mm
Camera Settings:
ISO 100
f/5.6
1/320
Main Flash: Quantum Q Flash with Turbo 400 w/s battery pack (set to roughly 1/4 power)
Fill Flashes: Vivitar 285 (set to full power)
Transmitter: Pocket Wizard MiniTT1
Receivers: Pocket Wizard Receivers”

More post-processing techniques here.

Behind the Chocolate Truck DVD with Matt Miller

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To coincide with the video review I just posted, here’s a couple Q’s & A’s with the man behind the lens and monitor but also with one of the standout parts of the video, Matt Miller.

Alright, so what’s up with the name “Chocolate Truck”?
“It has really no significant meaning. Probably 5 or 6 years ago we wanted to come up with a name for our video, and we were all trying to think of serious names or something and Carl was just saying the dumbest names, and Chocolate Truck was one of them. I think it stuck for the sole reason that theres no stupid meaning or anything behind it, it was just completely random. Then i just got some basic stickers made and it went from there. People are pretty disappointed whenever we explain the name haha.”

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How long did you guys film for this video?
“We filmed for this for about 5 or 6 years, pretty much the entire time I was in college. Most of the footage we used in the video is from the last two years but Kevin has stuff in there from when he was 15. Carl’s footage is from a long timespan as well.”

What cameras were used and who did the filming?
“The video was filmed with a VX2100 and a VX2000, with some random DVX footage in the mix. I did a majority of the filming but NickyB and Steve Tassone helped me film my part.”

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How long did you spend on editing? What software did you use?
“I use Final Cut Pro 7 and it took me around 7 or 8 months to edit everything. Im really unorganized so I spent alot of time relabeling shit and finding lost footage. Its hard for me to sit down and just bang everything out at once so I would just edit for a couple weeks and then wouldn’t touch it again for a month or two sometimes.”

Did you guys travel much?
“Not much at all. Its hard to organize trips cause the crew is so big and we all had jobs or school shit to handle. We went to Boston and Baltimore for some weekend trips, but the video was filmed mostly in Philly which is what we wanted anyway. Hopefully we can travel a lot more for the next one.”

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Who chose the soundtrack?
“The soundtrack was a collaboration between everyone. Some dudes picked their own songs or I would throw them ideas until something stuck. Certain people like Joby would always put their song on when we were in the car or just hanging out, so when it came time to pick music, those songs just made the most sense to use. Navaz found Brendon’s song for me too. Both of Kev’s original choices got used in web edits, so we had to change them last minute. I think a lot of people who make videos really want to use music that is relatively unheard of, but I didn’t really care too much about that. I just wanted everyone’s part to fit their personality and I wanted to make sure the video wasn’t too serious or anything.”

What is your favorite clip, or is there any clip that has a great story behind it?
“One of my favorites is Carl’s uprail to fence stall. We all told him to try it and he ate shit the first two times and then just did it perfect his next try. His reaction is pretty funny he looks so surprised that he landed it and everyone is laughing in the background. Brendon’s last two clips were filmed 30 minutes apart. We were driving to the kink rail and we saw this other rail and stopped there first so Brendon could fire it out real quick. Nicks infamous Polejam fall is one of my favorites and the Dog Shit bitch in the extras always makes me laugh. We tried to submit it to Worldstar but i guess they weren’t feeling it haha.
I think everyone has some really stand out clips in their part so its hard to name them all. Pretty much every clip I used in the Intro and Credits are my favorite as well because there just funny to watch and it gets me siked to ride with everyone.”

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Which part was easiest to edit? Which part was hardest to edit?
“The easiest part to edit was probably my own. Its easier to edit something when your the only one who really cares how it comes out. When you edit someonelse’s stuff, you have to make sure they are happy with it too. A couple times I would be really siked on a part, and would show it to them all hyped and they would hate it haha. The hardest part to edit was probably Brendon’s. It was originally edited to a pretty weird song that was kind of out there but we all really liked it. But the more and more you watch something that can change pretty quickly haha. When we changed the song it was hard for me to start over from scratch and come up with a new idea of how the part should look since i had the original one stuck in my head. But Im really happy with how it came out and I think it’s his best video part yet.”

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Any problems/injuries/setbacks?
“Me and Brendon both broke our ankles, NickyB broke his nose and John Yoh is always getting hurt. The most serious one was Kev. He compound fractured his leg in Baltimore a year and a half ago which ended filming for him. He still had enough footage for a full section though. Aside from that a lot of people who we planned on having full parts ended up quitting. Things moved pretty slow for the first couple of years. Once a bunch of us got a house together it made filming and organizing everything a lot easier so the last two years is pretty much when we got motivated and filmed the entire video. At one point though, our house got robbed and my computer and primary hard drive were stolen. I had to spend a lot of time re logging all the tapes from 4 years prior which sucked. I even had to make John Yoh nose manual the spring garden fountain twice cause that clip was lost completely haha.”

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Who shot the photos in the menu/on the DVD?
“I shot all the photos and Jay Dyer at Animal did the template layout for me. I have an old Canon AE-1 that I bring out sometimes and I like messing around with disposable cameras.”

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Did you ever find it difficult to balance riding time and filming time?
“Yeah for me it is really hard. I enjoy filming a lot and making videos but I would always rather be riding. Riding in Philly there are so many little spots to hit when your cruising, and having a big ass camera on your back takes the fun out of it for me. It sucks cause some days I just wont bring the camera out because I want to ride, but those always end up being the days when everyone kills it haha. I give credit to anybody who rides and films it takes a lot of patience.”

Will there be another Chocolate Truck full-length DVD?
“Yeah, eventually. Most of us want to work on some short term projects for a quick change and do a little bit of web stuff since we never really have. But we haven’t stopped filming since we finished the video. Everyone is pretty eager to keep filming, so hopefully this next one doesn’t take as long as the first did haha.

I want to thank everyone for filming for this video and for all the good times. Thanks to Navaz, Bob and Darryl for answering all of my questions. Jay Dyer for doing the artwork and Schimpf and Marshall for shooting photos. Kink, Animal and ODI for keeping my bike nice. Word, ALYK, Hood Antics, LFS, SAF, AM:PM, 90East, SharkAttack and all the other crews out there making their own videos. Thanks to all our friends and family and thanks to everyone who supports us. Follow us on instagram @chocolatetruck.”

Pick up the DVD here. Seven bucks shipped- you can’t go wrong.

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Photo of the Week: Casey Smith

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“I shot this photo of Aaron Robinson at Northside Skatepark in Norfolk, VA on April 19th of this year. Although it was a few months ago, I specifically remember shooting this because it was during a bowl jam that I put on.

There were two things that really made this photo difficult to achieve; the first being the framing. Previous to shooting, I noticed the gap in the tree line could cradle a rider jumping that hip perfectly, but it took me multiple tries to get the timing and angle just right; luckily Aaron’s tables are so on point, he was able to do them over and over.

The second issue I ran into while shooting this was the weather. Although unnoticeable in the photo, the winds were horribly gusty (35mph to be exact) and this specific skatepark is landscaped with mulch and wood chips, so debris was flying everywhere. This combination creates an extremely difficult situation for the rider, especially when jumping a seven foot tall hip, but Aaron handled it very well.

I was very pleased with the final product, not only because I captured one of Aaron’s perfect tabletops (I have repeatedly claimed that he has the best tables in Virginia), but the fact that I captured a memory from that day which will now stick with me forever.

Technical data:

Canon 60D
Canon 18-135mm
1/1250
f/4.5
ISO 500
Zoomed to 39mm”

Check out more of Casey’s work here.

Join the Flickr group and add your images to the pool to be next week’s photo!

Photo of the Week: Mario Gorman

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For the most part, I don’t like to post vertically-oriented photos, simply because they don’t display well on computer monitors, but this was too good to pass up. The composition of this image is impeccable- every vertical line is perfectly vertical. Although I’m not a fan of rules, the rule of thirds is strictly abided by. The timing is perfect. The light is nice- an optimal time of day for natural light photographs. It’s a pretty crazy tailwhip to boot and I could easily see this covering a magazine.

“For this photo I shot of Flo was somewhere in LA. Right away he climbed to the top and hammered it out. From where I was standing, which was completely at the bottom, I couldn’t get the angle I wanted, so I had someone give me a boost onto a platform about 10 feet high. It was around 5 or 6 o’clock with the sun out, blue skys and no clouds blocking it. I set my white balance to daylight and set the ISO to 200. For the shutter speed I shot at a 1000th of a second and the f/stop to 4.5. The camera I’m using is a Canon Rebel T3i and I’m using the stock lens it came with which is a 18-55 mm. I bought my camera four months ago and just been shooting as much as I can when I’m not working.”

Check out more of Mario’s work here.

Join the Flickr group and add your images to the pool to be next week’s photo!

A/V Club T-shirts

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Hot off the press, in a limited run- get yours now! Free shipping in the continental U.S. and free buttons with purchase! Only twelve bucks!

Photo of the Week: Nathan Beddows

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This week’s photo captures a moment akin to the Normandy landings on D-Day in 1944. Maybe not as serious, but for some reason when looking at this photograph, D-Day comes to mind. Almost as important in this shot as the rider are the passersby walking under the obstacle, giving a sense of scale and place. I am a fan of the shapes in this composition, from the small rectangular posts in the water to the circle cutout in that wall. Although this is a digital crop/de-saturate, Nathan did it properly, including everything that needs to be included and creating a beautiful scale of tones from highlights to shadows.

This photo of Jason Phelan doing an overtooth in Aberdeen was shot during the 2010 Mongoose Ride To Glory trip. Jason had come along to film the trip.

The XMP on the photo says it was shot with a Nikon D3, a 50mm f1.4, at 1/1000 f5.6 iso 800. I can’t remember much from that exact day but it was pretty grim weather-wise and that people were walking past not noticing us ride the roof. We waited till people were in the frame each time before doing the shot. I think the photo that got used in the Ride To Glory issue had a jogger running past with Jason doing an overice stall. Nothing else interesting happened there apart from the trick and the photo.

I haven’t seen Jason much since he was extradited from England but we had travelled a lot together and shot a lot of photos. This is probably just one from several hundred. Kinda interesting that this was shot on a Ride To Glory trip, as both me and Jason were joint longest running participants (every year since its inception) until this year (its sixth) when neither of us went on it. I think the last photo I shot with Jason was him doing a backflip with a guy in a wheelchair called “Wheelz” at Corby Skatepark last year.

Check out more of Nathan’s work here.

Add your images to the Flickr group and be chosen for next week’s photo.

VX1000 Filming Tips with Beagle

“With these little secrets, you can make your footage look golden.”

A very entertaining watch, even if you aren’t a filmer. Very unconventional techniques, but he gets results.

Photo of the Week: Zach Fernandez

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This one was of the easier photos to pick for photo of the week because it includes two of photography’s mainstays: sunsets and skylines. The dramatic side-lighting on the rider helps to make him pop out of the background, and he’s framed nicely by that tree. My only gripe is that we can’t see all of the quarter that he is riding but to be fair, we all know it’s there. If there were ever a series of BMX postcards printed, this would be the first one made.

“Went to Alameda Skatepark last time I was home and got my friend Jean Paul to roll with me (which is a challenge in its own). As the sun was setting I wanted to get a shot with San Francisco in the background. I made him foot jam the sketchiest quarter there, and if you have ever ridden alameda you know they are all extremely sketchy. Luckily he wasn’t too worried. I shot this on my 5D mkII at 1/200 of a second to cut down my ambient and get a nice exposure for the city in the background. I had two lights sort of acting as edge lights to give him some separation from the dark tree and grass behind him. They were triggered by Pocket Wizard plus III. There was a Paul C Buff Einstein 95˚ camera left powered at about half, and a Yongnuo 560II camera right 120˚ at full power.”

Check out more of Zach’s work here.

Add your images to the Flickr group and be next week’s photo.

Push It A Stop Gear Available Now!

starter kit lores

Shirts, lenspens, buttons and stickers. Free shipping in the continental U.S.! Cop that!

Photo of the Week: Zach Gastin

Bear Smith Highschool PIAS

Obviously it’s not the craziest trick, but sometimes you don’t even need that to make a great photograph. One of my first photos published was a smith grind on a flat ledge. I am a huge fan of the composition of this photo- the ledge and building are perfectly horizontal and the flagpoles are perfectly vertical. The rider is framed in front of that bush giving him a nice backdrop and helping him stick out of the frame. The lighting is simple but effective. The rider’s green shirt makes him pop out amazingly, contrasted against the red brick and his red bars and forks. Also the spokes in his back wheel follow the same pattern. The sky is close to being blown out but not, and it’s yellow evening hue is very pleasing.

“Went out to ride for an hour with Bear and Daddie Tone at the High School. Bear was doing some feebles on the ledge so I thought we could shoot something for the fun of it. I did not (and still don’t) have a light stand so I had Tone hold the flash for me. I was going to use the fisheye but I thought the 40mm would make a nice composition or something artistic like that and I didn’t want to switch lenses. After getting the light in a good spot Bear did a smith and it looked good. We most likely went to get ice cream after, because that is what we do every time.
Shot with a Canon t3i and 40mm 2.8 pancake. Light was from a Neewer TT560 triggered with a Cow Boy Studio trigger.”

Check out more of Zach’s work here.

Add your images to the Flickr group for a chance to be next week’s photo.