Category Archives: Photo

Photo of the Week: Sam Adams

Obviously the first thing that attracted me to this photo was Sam’s use of a color temperature filter on his flash, making the rider stick out amazingly. The angle is optimal and the frame contains a good amount of symmetry. It’s sharp and demands the viewers attention. I can vaguely remember seeing this photo on the older skateboard photography message board galleries, and it still strikes me just as much as the first time.

“The photo is of Alex Gonzales and was shot in January of 2007 at the Los Altos Skatepark in Albuquerque, NM. It was in the middle of winter, and the days were cold and short which influenced how I made this image.

The short, cold days meant that it got dark earlier, and the evenings had this cool, blue feeling to it. In order to accentuate this cool, blue color and make the rider “pop out” more I used a technique that involves changing the camera’s white balance and using a flash with a gel.

In order to make this technique work the camera needs to have its white balance set to Tungesten (3700K), and flash needs to be gelled with a CTO. A CTO gel is a orange filter that goes over the front of a flash and changes the color temperature of the light coming from the flash. Setting the camera’s WB to Tungesten makes everything lit by ambient light (aka natural light) a blueish color, and then by using the CTO gel on the flash I am lighting the rider and warming up the color on just him. With out the CTO gel the flash would still illuminate the rider, but it wouldn’t provide the warm, contrasting light that the CTO provides.

The image was shot with a Canon 1D with a 15mm fisheye. Shutter speed was 1/500th and the aperture was F3.5. I used a Canon 580ex flash with a CTO gel as mentioned. The flash was placed around 75 degrees camera left.”

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Photo of the Week: Phil Miklovich

I was drawn to the strong vertical lines in the photograph, and the colors are very pleasing to me. TJ’s red hat really makes him pop out of the image. The lighting is good and the action is sharp.

“Rolling around New Haven, Connecticut with the shredder Tj Bank, we found this dope wheelchair ramp rail-hop. This was the last photo I ever shot with my Nikon D3100 along with the Nikkor 55-300. The settings were 1/200s, F5.6, ISO 400, and shot @70mm. I used two Vivitar 285HV’s infront and behind the ramp @ 1/1 power triggered by cactus v4’s. While shooting this, we had a huge crowd of random people standing behind me mad sketchy playing 20 questions about what’s going on. Once Tj did the railhop, they started to spazz out which made me super stoked.”

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Craig Passero Desktop Wallpaper and Digital Walkthrough

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TCU Jam Photo Gallery

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Photo of the Week: Nick Jones

This week’s photo is from Nick Jones of South Jersey local Chris Aceto. I am a fan of the rigid composition with all vertical lines being totally vertical. The perspective shows precisely what the setup involves. His dark clothing juxtaposes the white wall incredibly. The background adds a nice depth and tells a little about the area.

“Chris’s old house was in your typical small suburban New Jersey town with pretty much nothing to ride. Somewhere within it lies this perfect gap over to wall ride setup, which he fired out first try. I went with this straight on angle because it was pretty much the only way to show that he had to gap over the ledge, and I was into all the straight lines. Pretty simple setup, two flashes to my left probably at 1/4th or 1/8th shot on a Nikon D7000 with 50mm 1/250th @ f/8 ISO 100.”

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Photo of the Week: Levi Marshall

This week’s photo is of Steven Hamilton in Columbus, Ohio, shot by Levi Marshall. What attracted me to it initially were the colors- his grips, shirt and pedals matching the surrounding sky pretty nicely. The composition is strong and the framing in front of the building is spot-on. The lighting is deep but not overly dramatic. It is an undeniably action-packed shot with an amazingly precise exposure.

“I shot this photo late last spring in downtown Columbus, Ohio. It was my first time shooting with Hamilton. He loves fisheye and doesn’t like shadows on his face in riding shots. So I put the flash in front of him up really high on a light stand and squatted pretty low in a bush for my angle. In post, I warmed up the photo a little since it was super overcast. I also cloned out a couple spots of flash flare since I was using a cheap fisheye.

Canon EOS 7D, Rokinon 8mm fisheye, Vivitar 285HV main flash at 1/4 power, Vivitar 285HV for the kicker light 1/2 power, Paul C. Buff Cybersyncs. Camera settings: 1/250th at around f/8 iso 250.”

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Clothing Photography Walkthrough

Hopefully this helps you shoot some of your own.

Photo of the Week: Pete Brandt by Kyle Emery-Peck

This week’s photo is shot by San Francisco’s Kyle Emery-Peck.

“I had a bmx photo that I wanted to shoot with Pete where I framed him at the bottom of my composition. I get in the habit of composing riders in the top of my composition so I wanted to change it up. My friend Terry reminded me of this location in Chinatown. It was later in the day, so the sun was getting lower in the sky. It just so happened that I was shooting toward the East, so it made for great ambient light. I set up two Sunpak 555’s at 1/2 power one on the left and one on the right. I shot with Fuji Provia 100F on my Hasselblad 500c with an 80mm 2.8 I think the exposure came out to 1/500 @ f/5.6. From there I just gave Pete a target to aim, and let the Pete Brandt machine go to work. I was happy after 3 or 4 attempts. Pete is by far the most dialed flatlander to shoot. He lands the most technical tricks so consitsently that I feel good about shooting film.”

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A Short History Of The GIF

And my favorite GIF, featuring Mike Mastroni-
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Photo Of The Week: Ivan Maslarov

The photo this week comes to us from London- a smith grind by Svetoslav Nikolov shot by Ivan Maslarov.

“Its November and it is getting dark around 4:30 so all sessions are shut down by darkness or just because its too cold. This one ended with an amazing sunset where the colors were warm yellow purplish and the sky, clouds and shadows were cold blues. I called the trick quickly and tried to shoot some fisheyes with the very last direct natural. As soon I was left only with the dusk I switched to a fast prime with two flashes from the same direction gelled at the temp of the settled sun and diffused to match the soft ambient. 5d MK2, ef 85, f1.8, 1\250, sb 28 and sb 80 left from the frame directly at him.”

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