Elf by Matt Windsor

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Salt Lake Sundays

“This was one of those makeshift spots that could only be hit a couple times, due to the fact that the fence was already on its last legs. Elf smashed into it a few times before giving it this X up tap and nearly bringing the whole thing down.” –Matt Windsor

Manny Kilpack by Matt Windsor

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Salt Lake Sundays

“Salt Lake’s industrial areas always have a few good things tucked away in them. Manny Kilpack put this concrete factory to good use with a turndown off the side of a support beam.” –Matt Windsor

Troy “Six” Spear by Matt Windsor

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Salt Lake Sundays

“Troy “Six” Spear is a goddamn lunatic. Getting to ride with him is always entertaining, because he will throw himself at anything that happens to be in his way. This DIY spot under a bridge downtown is a haven on rainy days, and Six handled this wallride gap like it was no big deal.”

Trent Steel by Matt Windsor

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Salt Lake Sundays

“The Rail Gardens on the eastern bench of the Salt Lake Valley has been heavily hit up for years, with Dave Thompson’s Killjoy ender being the most infamous. Trent Steel laced up this perfect rail with a pedal crook on one of the last days of summer.” –Matt Windsor

Markit in Portugal Video

With this video filmed entirely on a cellphone, the bar has not only been raised but it has also been decimated and thrown away. In our defense though, the Nokia phone that this was all filmed with has a 20-megapixel camera and uses optical image stabilization (as does the iPhone 6 Plus, but no other iPhones). And also in our defense, we are talking about Dennis Enarson and Ronnie Napolitan here… I’m sure they could have done most of this in their sleep. With Hadrien Picard behind the keypad, this video proves that the gear doesn’t make a great video- the people using the gear do.

Analog by Roy van Kempen

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Its always nice to see a rider pick up a camera and convey a bmx trip though their eyes. Roy Van Kempen has been putting his recently acquired KonicaC35 to the test as he traversed through both Belgium and Italy and tossed some of the photos up on We Are Orange Juice. Click here to check the full gallery.

Brady Tweedy by Matthew Windsor

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Salt Lake Sundays

“This abandoned school has showed up in a few different videos over the years, and the various stickers slapped on the broken drinking fountains around the campus leave a paper trail of dudes that have gotten something done on this spot. Brady Tweedy showed up to this spot and dropped an over crank on this rail, which I’m 99.9% certain is an NBD.” –Matthew Windsor

Braden Ross by Matthew Windsor

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Salt Lake Sundays

“This is another classic spot in the SLC suburbs that hasn’t seen much action recently. This part of the bank is super mellow, but it didn’t stop Braden Ross from double pegging the shoulder height pipe attached to the wall just as the sun went down.”

Cam Wood by Matthew Windsor

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“Salt Lake Sundays”

On a cold, windy day last winter, I was downtown riding a ledge spot by myself, as usual. At the time, I had recently picked up my bike after a five year hiatus and a move across state lines, and I didn’t know a single other rider in SLC. As I was riding this ledge, a crew of about 8 dudes showed up and started sessioning that spot with me. It’s somewhat intimidating to be trying to re-learn basic tricks in front of local shredders as well as a couple dudes you grew up watching in videos, but after introducing myself I just kind of fell in with them. Chills not skills, right? As the weather warmed up, sessions picked up, and I quickly learned not to leave my camera bag at home. Because of the overbearing Mormon influence so prevalent in the state, Utah more or less completely shuts down on Sundays, allowing access to pretty much every spot in the city. Winter is about to hit us like a ton of bricks again, but I’m stoked to be able to share some of my favorite photos from the past year of Sunday cruising.

Cam Wood is pretty well known for doing some wild shit in unexpected places. After a few 180s out of this fountain in front of an old folks’ home, the entire sidewalk looked like it got hit by a tidal wave and the fountain had been almost totally emptied out.

Framework: Austin Aughinbaugh – Opp Hanger

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I literally just got back from shooting this opposite hanger with Austin and thanks to free gourmet coffee drinks, I am super motivated to post this Framework piece.

We filmed this clip the other day for Flip Clips (volume eight coming soon) and on playback I noticed its potential as a noteworthy photograph. After driving him to a successful job interview, Austin and I jammed to The Fall of Troy while heading back toward ASU campus to ride this fun curved ledge spot.

Here’s the shot without any flashes-
spot minus lights

I decided I’d go all-in and use a classic three light setup. My key light (Lumedyne 200w Action Pack) was to the left and in front of the ledge @ f/11. My rim light (Paul C Buff Einstein 640 w/ 11″ reflector) was behind and to the right of the ledge, metered @ f/16. For fill I used a Canon 580EXII set @ 1/4 power to yield f/8, filling in any shadows created by the position of the key and rim.

At first I was thinking I’d shoot 50mm @ f/8 ISO 100 (my go-to these days) but upon further inspection, the 24-70mm f/2.8 @ 70mm became the one. Only after setting up all the lights did I realize that the ambient was giving f/8 @ 1/250- the Arizona sun is much brighter than what I’m used to. In order to cut down on any motion blur that might arise from shooting at f/8, I decided that f/11 would be a better choice. I moved every flash in a little bit and re-metered and somewhat incredibly each one gave a perfect reading.

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I gave Austin the nod and he started locking in the opp hanger right off the bat. It took him probably six or seven tries to lace this one (this is the make) from end to end with amazing balance at a low and locked-in speed. We probably should have filmed this one as well, as it was much cleaner than the one we filmed on Sunday, but such is life.

A few on-the-spot corrections: The initial choice of f/8. I should have realized that the sun was beaming (even though we were under shade, the background was super bright) or just have metered in-camera before deciding on that. It only took a couple minutes to move the lights around for more power, but sometimes those couple minutes are the difference between getting the shot and getting the boot. At first, the rim light was casting a shadow of that second post onto the ledge. I moved it a couple feet to camera left and got the shadow to land in front of the ledge. My the fill light was really close to being in-frame and the rim was almost spilling light into the lens but simply moving myself a foot or two to the right and cropping a bit in post solved those issues. And of course, since everything went so incredibly smooth, I realized right after wrapping that I had forgot to switch from JPEG to RAW on my camera, due to shooting a sequence the other night. But knowing that this was going straight to Instagram, I really didn’t care. Life is too good to really care about minimal shit like that. We are both still happy with the results and I hope that you are psyched on this information as well. Thanks for reading, keep shooting!