Tempe-based photographer Spenser Lee (or Loofa as he’s sometimes known) just updated his portfolio website with not only some amazing riding photos but also some really clean architectural/interior shots. Click around, get psyched.
Tag Archives: Arizona
This weeks photo of the week comes from the Hasselblad lens of Arizona’s finest photographer (and great rider),Derrick Riggs. With the beautiful colors Provia 100 offers tied together with a crazy trick and perfect lighting I knew this was the one. Keep reading to hear a bit more on how this photo went down.
“I first met Vance Trevino maybe about 2 years ago while on a trip to Tucson AZ, he and his cousin Andy “floyd” Erickson most definitely do there part to keep BMX raw in Tucson. Case in point, we actually went to this school cause Vance wanted to a just 360 the stair set which lies and the bottom of the rail/ledge. A few minutes after getting the clip on set, he told Andy “i wanna 60/40 the rail” and asked if id like to shoot it, i gave him a “hell yeah”, after a few tries he rolled away with a smile on his face. By the way he also did a hard 180 out to. And a “STILL” is better than sequence any day for me. KRIMZEN !!!!!!” – Derrick
Camera: Hasselblad 500c w/ 80mm 2.8 – 1/500th maybe f/8 or F/11
Film: Provia 100f
Lights: 1 Einstein 640 powered to 226.3 watts, flash duration of 1/3108th t2
Slaves: All triggered by pocket wizard plus 2’s
Just a few weeks back Greg Moliterno had a gallery here in Tempe, Arizona consisting of all photos he shot on his trusty Ricoh FF-3af (a simple 35mm point and shoot released the same year he was born – 1982). The photos from the gallery just dropped on the web over on the Ride site which you can check out here. Prints are still available so if you’re interested in any hit up Greg here.
“shooting with a pegless bike rider is always one of my favorites to capture, like this one of Andy Erickson better known as “Floyd”. Like the spot GURU he is, while at a local mexican joint across the street from this, kinda ending the day, he told us about a little jib down the way, there he nailed out this wall 180. after a few slight repositions of the camera this is what we got.
shot in Tucson Az
Canon 1Ds mark III
Canon 15mm 2.8
2 einstein 640 w/ 8.5 reflectors
triggered with pocket wizard plus II’s”
Greg Moliterno was in attendance at Street Fighter 4 with his weapon of choice, a Ricoh FF-3 loaded with some Kodak Tri-X. Click here to check out the good times he captured and don’t forget to peep the video.
We filmed this clip the other day for Flip Clips (volume eight coming soon) and on playback I noticed its potential as a noteworthy photograph. After driving him to a successful job interview, Austin and I jammed to The Fall of Troy while heading back toward ASU campus to ride this fun curved ledge spot.
I decided I’d go all-in and use a classic three light setup. My key light (Lumedyne 200w Action Pack) was to the left and in front of the ledge @ f/11. My rim light (Paul C Buff Einstein 640 w/ 11″ reflector) was behind and to the right of the ledge, metered @ f/16. For fill I used a Canon 580EXII set @ 1/4 power to yield f/8, filling in any shadows created by the position of the key and rim.
At first I was thinking I’d shoot 50mm @ f/8 ISO 100 (my go-to these days) but upon further inspection, the 24-70mm f/2.8 @ 70mm became the one. Only after setting up all the lights did I realize that the ambient was giving f/8 @ 1/250- the Arizona sun is much brighter than what I’m used to. In order to cut down on any motion blur that might arise from shooting at f/8, I decided that f/11 would be a better choice. I moved every flash in a little bit and re-metered and somewhat incredibly each one gave a perfect reading.
I gave Austin the nod and he started locking in the opp hanger right off the bat. It took him probably six or seven tries to lace this one (this is the make) from end to end with amazing balance at a low and locked-in speed. We probably should have filmed this one as well, as it was much cleaner than the one we filmed on Sunday, but such is life.
A few on-the-spot corrections: The initial choice of f/8. I should have realized that the sun was beaming (even though we were under shade, the background was super bright) or just have metered in-camera before deciding on that. It only took a couple minutes to move the lights around for more power, but sometimes those couple minutes are the difference between getting the shot and getting the boot. At first, the rim light was casting a shadow of that second post onto the ledge. I moved it a couple feet to camera left and got the shadow to land in front of the ledge. My the fill light was really close to being in-frame and the rim was almost spilling light into the lens but simply moving myself a foot or two to the right and cropping a bit in post solved those issues. And of course, since everything went so incredibly smooth, I realized right after wrapping that I had forgot to switch from JPEG to RAW on my camera, due to shooting a sequence the other night. But knowing that this was going straight to Instagram, I really didn’t care. Life is too good to really care about minimal shit like that. We are both still happy with the results and I hope that you are psyched on this information as well. Thanks for reading, keep shooting!
Dimitri James Nose Press Mesa, Arizona