I love that a BMX community can exist and thrive anywhere in the world at any given time. It’s like flipping over a random rock in a park and seeing a bunch of tiny creatures crawling around and filming bangers with their friends. For this particular instance, the park is the state of Utah and the random rock is the southwestern city of St. George.
I’m not trying to say that these people live under a rock- it’s just a metaphor for their obscurity. The typical American citizen probably wouldn’t be able to locate St. George on a map but if someone were to say that it’s about a third of the way from Las Vegas to Salt Lake City then they’d get a decent idea. With a population of around 80,000, it’s good to see that there are at least five dedicated riders (this gives us an average of one BMX rider for every 16,000 people… Extrapolate that to the other populations and we can loosely calculate there to be right around 20,000 BMX riders in the United States (with 525 in NYC, 1,418 in Southern California and 55 in ATX… does this sound correct? Anyone want to help out with a national/worldwide count?).
At any rate, out of that small sample of the St. George population there is one guy who put in the time to produce a full-length DVD- Jon Tinsley. Using a single Canon T3i with a kit 18-55mm and a Rokinon fisheye lens on a P&C GearBox with a Neewer CN-160 light when needed, the video is filmed smoothly and properly without many frills or unnecessary flashiness. A DIY pinhole was used for the perspective-shifting stop-motion shots used as B-roll and segue shots- a very nice touch to the entire production. Jon used Adobe Premiere for editing.
Since I first read it, the title of the video posed questions. I drew my own conclusion that it was a jab at the church- like when an atheist octogenarian tells his step-grandson “the only people that need to go to church are newlyweds and nearlydeads” or something to that effect. Turns out it’s a sly comment on the population of the area with many young couples copulating and retreating retirees.
The spots in this region of the country remind me a lot of the small Midwestern town spots that I grew up riding- the loading dock behind the shopping plaza, a clutch stacked ledge setup in the elementary school courtyard and a dialed university nearby. I only recognized a few spots in the entire 20-minute video.
I didn’t recognize one song from the soundtrack, however. That’s not to say I didn’t enjoy it though. Comprised mostly of resurrected psych-rock, there was at least one song that I looked into. Ultimate Spinach is the only band from the soundtrack that I’ve seen used before.
The riding struck me as very innovative, given the spots being ridden. There were numerous tireslide moves I was psyched on, including one from Jon himself (his first clip I believe). There’s trails footage and some concrete park but the video is mostly street-based. Riley Carroll has a very memorable section with some flowing lines and unique spinning grind maneuvers. Everyone has a different approach with respective visions that complement nicely in this DVD.
Pick up a copy here.
If you have a video you’d like featured on the site, send a copy to 127 E. 5th street, LA, CA 90013.
Posted in BMX, Video
Tagged Adobe Premiere, Canon, DVD, Jon Tinsley, Neewer, P&C, Riley Carroll, Rokinon, St. George, Utah, Video Review
The photo this week comes from a set of pipes in the ceiling at Ray’s Skatepark where Thriller BMX‘s Sponge finds a snug toothpick stall.
“The idea for this photo originally came during filming for the odd couple video contest. Hollywood told Sponge and I about an idea he had given to one of the other dudes on another team and we kinda left it at that. Then this past Sunday we noticed the setup while riding and talked about how it really didn’t look like it would be too bad to get done. I don’t have two front pegs so this one was all Sponge’s.
Shooting the photo was pretty fun too. I had to stand against a wall on the deck of a quarter that was only about 6 inches, then hang onto some nails that we’re sticking out of a board bolted to the wall. My girlfriend Victoria held the flash for me and I snapped a couple test shots as Sponge attempted the trick. We moved around a bit until I was satisfied with the angle and lighting. The second to last photo was good enough but he hadn’t pulled the trick yet so I tried another angle on the next attempt and it turned out to be a winner. He pulled the trick and the photo came out perfectly. I don’t normally like to shoot photos where you can’t fully see the riders face but this was one of those occasions where the angle to see his face wouldn’t have done any justice to how awesome the trick and setup really are.
Rokinon 7.5mm @ F/3.5
Lumopro Flash with Cactus Receiver
Flash Set At 1/64
SS – 1/100
WB – Flash
ISO – 800”
Posted in BMX, Gear, Photo, Photo of the Week
Tagged Brant Moore, Lumopro, Panasonic, Photo of the Week, Push It A Stop, Rokinon, Sponge, Thriller BMX
This week’s photo is a strange one, with on-camera flash usage and mysterious crystal-like orbs. I thought it was rain, but Dylan vehemently denies any precipitation… Could be dust? I don’t know. Whatever it is created an appealing effect. The colors of that skatepark are wonderful as well.
“Joyce Park’s skate park, also known as [JP], is my local skate park and I go there just about every day I can. Ray Coleman, a good friend of mine, is also a local there and seriously kills it every time he rides. He’s the guy that all the kids talk about and they always ask if I know him or if I’m as good as him which is usually followed by the typical little kid “Can you do a backflip” question.
The day I shot this picture was just like any other day at [JP]. Ray was shredding and boosting the park as usual and since I don’t take pictures nearly as much as I should, I decided to whip out the camera. The sun was starting to go down so it was getting darker and the only type of flash I have is the one built on top of the camera. I started to use it just messing around but started to get some decent shots. The only problem I was having was the arc shadow from the fisheye lens. So when I shot this picture of Ray boosting an invert on one of the quarters in the bowl, I made sure to aim the camera to where the arc shadow wouldn’t look as noticeable. The arc fit perfectly in the shot just at the bottom of the bowl with the quarters lit up from the flash, making this the result.
Rokinon 8mm f 3.5
View more of Dylan’s work here.
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