Category Archives: Video

Skworl “She’s Her” Full DVD

http://vimeo.com/68441496

A full-length video from the Skworl crew out of Minneapolis. “This is the result of over 2 years of having fun riding bikes and hanging out with friends.” Just in case you aren’t sure if you want to watch it, I wrote a short summary to help you decide.

The first clip and intro song really set the tone for the whole video- playful and spirited, generally good times.

Eric Holley has first part, and while it’s not the old Holley murdering handrails in the rain, it’s still an amazing section.

Mark Schlegel has good-looking 360’s and does a few crazy wallrides toward the end of his part.

Mike Gelle, the co-creator of the video, rides a freecoaster (no surprise there, most filmers/photographers do) and does a noteworthy halfcab on a nice looking spot.

Cole Nelson keeps it real with some sprocket grinds and even a disaster stall to fakie.

Friends section- that hair, right?! Damn. I like this song a lot and this section is edited well. Those last handrail clips almost made me piss myself. Psyched he finally pulled it.

Mike Olsen/Trevor Thompson split part- besides the obvious similarities in bike setups, one can conclude by the structure of the section that these two are probably really good friends. The song fits nicely- the piano intro with that first doubles clip really sets the mood for this light-hearted section.

Boden Berg does a bump jump off the wheel of a beach cruiser to bonk on the basket, along with a slew of other mainly entertaining tricks. Someone who would keep a session fun.

Lee Mies has a variety of moves and does a couple stunning nosebonks. Not afraid of gaps.

Nick Anderson closes out the video with a bang doing some astounding hard 180’s and rail moves with an awesomely peppy style. I love the two ice 270’s on that bank to sub- it looks like he could easily keep spinning out.

Then there’s around five minutes of outtakes, really funny stuff- the clip of the two guys doing a nollie to manual off that dock and both falling made me laugh out loud.

All-in-all, a very entertaining video from the Skworl guys. You can tell these guys have fun, or the editor did a great job of making it seem like they do. No insight into the meaning of the name, though.

Push It A Stop Gear Available Now!

starter kit lores

Shirts, lenspens, buttons and stickers. Free shipping in the continental U.S.! Cop that!

BSD “In the Streets of Athens”

http://vimeo.com/69274997

A week long trip in Athens, Greece with Dave Sowerby yielded BSD this spectacular video. Newcomer Sam Jones holds his own amongst the veteran killers while the veterans add badges to their vests. Remember the “Living for the City” series? What am I talking about, of course you do.

Sosh Urban Motion 2 – 2nd Place – Alex Donnachie and Peter Adam

http://vimeo.com/69304233

Holy shit. This is fucking awesome. The only question that my friends and I have collectively right now is “what the fuck won first place?” The story is funny, the shots (with a smartphone, I might add… Props to Peter Adam) are stunning, the soundtrack is upbeat and inspiring, and the riding- well, it’s Alex D. You want a great weekend? Watch this every morning. HAPPY FRIDAY PEOPLE!

Timelapse Extracts – City of Rats

“London’s Skate Rats in Timlapse form.
Short film featuring the timelapses shot during the making of City of Rats, with a few additional clips from the film thrown in for good measure. This was intended for the extras but for some reason or other was never finished in time to make the DVD.
What is City of Rats? its the first feature length film from Slam City Skates, Europe’s oldest skateshop established in 1986.
“At a point in time where a large section of skateboarders consider social networking props to constitute skateboard culture, it is extremely refreshing to see members of the younger generation still out pounding the streets like those who came before them. Don’t be one of those bellends who only watches skate videos after they’ve been cut up into bite-sized sections on some Facebook hero’s page: support real skateboard culture with your money, not just your ‘liking’ finger. City of Rats is more than worth the measly tenner they’re asking for it. Goon support should be mandatory.” – BEN POWELL, SIDEWALK MAGAZINE
Running at 57 minutes, City of Rats has 14 sections and features the entire Slam Team alongside the shop staff, London locals and vargrants.
Support independent skateboarding, buy now at slamcity.com/accessories-2/skate-dvds.html

Video Review: TeamSAF “Searching Acronyms Forever”

saf dvd disc

Plus there’s an extra section in the DVD that is just as entertaining as the video itself, with some riding that somehow didn’t make the cut. It’s clear that they worked on this video for a long while and had a hard time narrowing down the best clips. Any DVD extras usually give an insight into the team as a whole, with B-roll and outtakes, and this is no exception. Humor and crashes in equal proportions. DVD’s are available for purchase from the filmer/editor Nic Gironda ($10 domestic, shipped) by emailing him at nic.gironda@gmail.com.

The video opens with Chris Carter and his signature “hit everything” style, banging his pegs on all surfaces grind-able (some un-grind-able) hopping into tree stumps and nearly-vertical walls. His bike is in shambles the whole section but he wouldn’t have it any other way. The song selection is perfect for the riding- some sort of Fantasia piccolo, xylophone and string quartet ensemble that plucks with every bump and polejam. His rap outro segues into Marc “Stretch” Meeuwwissen‘s part, filled with incredible balancing acts on rails and in hang-5’s. Dude is like 6’ 1000″ and uses it to his advantage to hop astronomical heights and distances. He can spin like a madman as well. His last clip is simply crazy.

Casio spits a quick sermon about the existential uses of cellar doors and clocks a few new-aged old-school clips of his own.

Pat Quinn, a true grind-god, scrapes every part of his bike on unwaxed surfaces throughout the greater New York area. His part follows a loose formula of “spin-grind-spin” or “grind-spin-grind”. The second to last clip- an overcrook 180 out over an L- is astounding. Dude might look like he’s flailing around on some grinds, but he has precision when he needs it. His ender is an NBD, I’m almost positive.

Jason Byoun- the one skate part- is sort of an interlude with a mellow jazz bebop track, where he pretty much uses his skateboard the same way the team uses their bikes- wallrides between cellars, polejams and big hops. He even has a few riding clips. It seems he fears very little and has no trouble adapting to extracurricular activities.

Jeremy Anderegg, a North Carolina resident, may not look the part of SAF, but takes to the streets with the fury of an NBL pro getting amped for his next heat. His gap-to-wallrides are impressive to say the least. It’s funny to see his brakes come off halfway through the section. He is clearly 100% in control of his bike throughout his part. His last clips are some of the greatest in the video.

Next up are a couple mix sections, which include some Ben Hittle clips for good measure. Riders throughout the Tri-State area and beyond are featured in a few hip-hop montages. The street riding comes in waves between intermittent mini-ramp sessions. Still, grinds prevail and cellar doors are implemented in ways the original designer could never have foreseen.

Evan Gallagher has a shorter part featuring some truly dirty and technical grinds to a folksy-buddist rendition of the Beatles on acid. I don’t even know how to describe one the grinds in his part- whatever the horizontal equivalent of a 60/40 feeble is…

Eric “Ewip” Whitescarver comes flying in from camera-left with amazing feats of wallrides and crankarm usage. There are a few spots in his part that have been absolutely killed in the past decade, but he still finds a way to produce an original clip. The Hoder guest clips complement the section perfectly. Ewip can ride transitions of any varying degree, click tables past flat and hop on any bike with pegs and still keep up with the pack. Two of his last three clips were filmed the day before the video premiered, showing a great dedication and tenacity that can be appreciated by any entity making a video. I can almost guarantee that Ewip will be a household name by 2015.

I’m sure it was a tough choice between Ewip and Eric “Rosie” Schalles having last part, but Rosie ties the whole video together with a style that mixes Carter’s jib-ness with Ewip’s fearlessness. His section can most accurately be described by the namesake “Street As Fuck”. My favorite part of Rosie’s riding is that he will always get the halfcab off a curb if it is in viable distance. This section is filled with some of the steepest handrails to be found in New York and New Jersey- kinked, curved, 60/40- it’s all-inclusive. Technically he has a three-song section and not one part is less-than-par with the whole video. Truly an amazing section to close out a spectacular video.

You won’t find any progressive filming techniques or fancy editing styles in here. Besides a little bit of slow motion and basic graphics, it’s a pretty straightforward DVD- filmed mostly with a fisheye and published using iMovie. Again, DVD’s are available ($10 shipped in U.S.) from Nic by emailing him at nic.gironda@gmail.com. “Searching Acronyms Forever” will make a perfect addition to your collection and should easily earn a spot on the top shelf next to the LFS video

Squashed: Behind the Kink Video

_DSC3182(Photos courtesy of Jay Roe/Kink)

I think the first question on everyone’s mind is the title. What’s behind the name?

The name came from being on a trip about a year and a half ago. I think Garrett and A22 were having a bit of an argument on Twitter, and at the end, one of them just said fuck it, lets squash it. Someone on the trip said it once and then we all kept saying it whenever anyone on the team would have the slightest disagreement. A few trips later we were all still saying it and Jay suggested using it for the title. Everyone was into it.

How badly did the camera break when Hamlin’s bike hit it?

Basically destroyed the LCD screen, which isn’t a trip ender, but definitely makes my job a lot harder. Almost anything rolling long lens that I shoot is all LCD guided, so that was tough. Luckily all the other functions on the camera escaped major damage, so it could have been a lot worse. I was pretty bummed, and it ended up costing almost $1000 for the replacement screen. Tony felt really bad, it was a total fluke. Shit happens.

Any other hang-ups during the filming of the video?

Nothing too crazy. Random injuries along the way. I killed a nerve in my right arm sleeping on a long flight from Asia and my arm fell asleep for a solid month and a half. Couldn’t ride, film, or even pick up a glass of water with my right arm for 6 weeks, shit was scary. I think I ended up hurt for about half of the filming of the video, which sucked. Tony had an ankle problem for the majority of it as well, but he pushed through it.

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How long did you guys film for?

Think it was about 14 months, we kind of started without getting the go-ahead from the office, the team all wanted to do it and guys were in town so we just started filming. It took some convincing from Jay and I for the guys back in Rochester to get into the idea. Full length projects are a pretty heavy investment of time and money, so not everyone was on board in the beginning. In the long run I think everyone is super psyched, the guys all killed it and we’re pretty proud of what came from it.

What cameras were used?

Everything I filmed was on a Panasonic HMC-150 and Canon 7D. Contributing footage varied, but there isn’t much of it anyway.

How long did you spend on the editing? What’s your computer setup?

I spent about 2 months of straight editing, usually when I do a project like this I start piecing stuff together early to get a sense of how I want things to look and sound. Most of the music was picked along the way, with a few exceptions. Once we knew we were done filming, I had a good idea of how things were going to come together.

I edited on a 2013 IMac with Final Cut Pro 7 for edits and After Effects CS 5.5 for slow motion and motion graphics. Dave Fortman did the concept motion graphics of the animated fists and Kink logo, while I did all of the text/motion in the video intro.

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What was the first thing filmed? The last thing filmed? The most difficult shot? Your favorite shot? (My favorite shot is Hittle’s line at that desert looking ditch spot where he hops into that wedge then does like a manual 180 off a ledge, fisheye rolling shot, so smooth, edited perfectly)

The very first clip we filmed with intention of making a DVD was Jay breaking his foot manualing off the ledge in the crash trailer. Not a good way to start. Jay wanted to go hard for the video and things did not go well for him, haha.

The very last two things we filmed are Sean and Aaron’s enders in Austin. They both came through heavy on the last days of filming.

One tough shot that comes to mind is Tonys line at the MLK school in Pittsburgh that starts with the ice-bar. I had to be ahead of him due to the narrow sidewalk and film with my arm backwards until he catches up and ultimately passes me, I was pretty psyched on that.

That Hittle clip is literally my favorite clip in the whole video. The spot looks so crazy and that line completely sums up Hittles riding. It ended up going perfectly with that portion of the song, I’m psyched you mentioned that.

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I know you guys traveled a lot to film. Any standout experiences on those? Which was the most/least productive? Your personal favorite?

We were fortunate enough to do a big Asia trip, the trip consisted of flying into South Korea and then heading to Tokyo, so several of us decided to have our tickets diverted to Bangkok and pay our own way from there to Korea. If you’re going to be that far away I like to take advantage and try and see something else while I can, so that was rad. The cultural differences in all three countries was incredible, and the temperature difference from Thailand to Korea was about 60 degrees; it was gnarly. We went from near heat stroke to miserable cold, so it was quite the experience. Some of our best stuff came from that trip though, it was unforgettable.

Almost all of the other trips were driving through the states and they really blend together, it’s hard to differentiate what footage came from what trip sometimes. There’s nothing like filming abroad, it’s the best.

I noticed that there isn’t much night footage in the video. I take it you guys are an early-rising crew?

Haha, yeah, it’s not really our style to film at night. It’s a pain in the ass and everyone prefers to mellow out at night. Our trips are really relaxed, we get going by noon, and we’re done after dinner. Night footage looks cool, but unless its necessity, we aren’t stressing riding at 1 in the morning.

How soon will you guys start on the next full-length? (Assuming there will be a next full-length)

We don’t have any plans right now, although I’m ready whenever. Sometimes it’s discouraging to work hard on web content and see the view count drop to almost nothing after a few days. I like to think that Squash It will be on rotation at people’s houses and bike shops for a while, it just feels like DVD projects make more of an imprint on the industry and viewers. Hopefully we can get going on another in the next year or two.

Get “Squash It” here for free ($3 for shipping and sticker pack) while supplies last.

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http://vimeo.com/49531695

“Turn Off The Light” by Between Two Coffees

http://vimeo.com/63807783

Check out some behind the scenes photos here. How great is the name “Between Two Coffees”? I am there right now.

Academy Skatepark Promo by Jon Edwards

Title – Welcome to the Academy

Camera: Nikon D7000
Lens: Nikkor AF-S 35mm f1.8 DX
1920 x 1080 HD / 16:9 / 24fps

Music: Miracle Fortress – Raw Spectacle
From the album – Was I The Wave

The skatepark at the time of filming was yet to be completed and the deadline for the project was a week before the official launch date, so we had to work around unfinished areas, missing copings, and continued building work. So it was decided to shoot close cropped views of the park to excite the viewer and generate interest to visit the park.

The ceiling lights were a mix bag of fluorescent so we decided a monochrome theme would make the park look more established and classic whilst removing the colour issue. Sports wise we drafted in some locals and really didn’t need anything to groundbreaking, again the emphasis was on the park rather than the riding or skating. The final promo was also very graphically heavy to further establish the brand identity, and drill the new logo and park into the viewers head.

Feedback has been great so far and park is open for business.

www.academyskatepark.co.uk
www.facebook.com/AcademySkatepark

Which has brought us to The Sony Production Awards:

http://productionawards.sony.eu/videos/view/c24a4f86711deb9e89d310d9797e8832/

“A Different Vision: Simple Session 13” by Dmitri Shushuyev

http://vimeo.com/63082841

“For a lot of people who are watching and to a lot of riders who participate it is a major event. Last time I’ve been at Simple Session was in 2010, where I focused on filming most of the riding and to be honest thought that that was what I needed and wanted to film. Through recent years I’ve discovered that filming only riding gets boring over time and it does not give me the same satisfaction on completion as it used to before. Therefore this year I’ve decided to take a different path to this event and my newly acquired camera gear allows me to explore more possibilities than before.

I approached it from a different perspective and wanted to catch the beauty of the tricks, the people themselves, their emotions, the moments that the viewers don’t really get to see while sitting at home or sitting at the venue itself. Another aspect was to enjoy myself more and feed from the riders, the atmosphere surrounding and to meet new people. Of course the trickery that was unleashed was no doubt insane, however I got to enjoy it more than I did before, simply because creating something artsy and about the people is so much more rewarding.

I got to talk with Misha Rostomyan who is a very soulful rider and about the transformation of his style of riding as to where it was and where to it’s heading. Be on the lookout for some very interesting way of riding. Since I could not film the finals due to that only those who had STAFF badges could, I got to hang out with the Subrosa team and just goof around.

Also I tried filming skateboarding this year, however due to lack of knowledge and understanding I have unfortunately failed to capture a whole lot of it.

However, due to this and the fact that I could not film the finals I did get to experience my other passion, which is photography. Again my choice/direction was to capture the riders in their own element with both analog and digital cameras. Check the photos here:

ANALOG
flickr.com/photos/dmitri_shushuyev/sets/72157633106296166/

DIGITAL
flickr.com/photos/dmitri_shushuyev/sets/72157633053769340/

Follow me on:

FB: facebook.com/DmitriShushuyevMedia
Twitter: @DmitriShushuyev
Instagram: DmitriShushuyev
Vine: DmitriShushuyev

Technical info:
– Canon 7D
– Tokina 11-16 mm f 2.8
– Glidecam HD-2000″

Dmitri Shushuyev