Video Review: The Chocolate Truck DVD

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The Chocolate Truck DVD is everything that I like in a BMX DVD. First and foremost- it’s got great riding. Amazing riding. Every rider shines in their own way and every person that watches this video will surely relate to someone’s style. Secondly- it’s fun. The soundtrack is pretty lighthearted, where it needs to be. Some tracks are serious and it works for the section. You can tell that the editor (Matt Miller) knows everyone pretty well and found a song to match the person. Lastly- it’s clean. There’s no excess of anything- not too much B-roll, not too many second angles, not too much fun (yes, that’s possible). The filming is on point. There are only a few clips that stand out as second-rate, but they are not bothersome- these things are sometimes unavoidable. The editing is excellent. The DVD menus are exemplary and easy to navigate. The copy that I got was a premiere-edition self-burned DVD from Matt himself, but I trust that the production copies are designed well and come in a beautiful sleeve.

The intro sets the tone for the whole video, as it should. “I’m rollin’ with Chocolate Truck bitch!”. I’ve got a soft spot for quick-cut montages. There are somewhat introductory clips for each rider who has a part and they give a good idea of each individual’s personality. The song keeps it real.

Carl Brown has first part and sets it off with a number of wrecks that will make you laugh and cringe at the same time. You can tell he really went in for this video and it definitely paid off. I love his reactions after landing/not landing tricks. He’s a strong dude and uses that to his advantage, hitting tall rails and ledges. I could picture a number of different musical styles that could fit his riding but the least likely ended up working the best- very ironically inspirational. God damn, he gets bodied so hard on that huge kinker overgrind. Dude is not afraid. The uprail to fence stall is just unbelievable. Astounding. Ender is perfect. I applaud whoever found that setup, and of course Carl for firing it out.

Joby Suender has a very trails-inspired style in the Philly streets. He can table out of almost anything but my favorite is the smith hard 180 table. He’s riding a number of different bikes in this section but can produce clips on every one. He rides fast and holds tight. The smith hard to backwards manual is one of my favorite clips in the video. He’s got style and originality. Two thumbs up.

Steve Tassone has the Philly flow and hits a bunch of dialed railhop lines. Big gaps and drops look effortless to him. I love the pep he has in the nosebonk-smith-nose-180 clip- it fits the music perfectly. He’s super relaxed (or it just seems that way) when he rides and it definitely becomes his style. He’s got a little bit of every terrain in his part and rides them all like a regular.

Nick Barrett– my first thought when seeing that Nick had a full part was “Oh… really?” He’s a big guy and historically there have only been a handful to pull it off- but I’ll be damned if I wasn’t completely blown away. Dude has an eye for the slider grinds and uses them perfectly on a few setups. When he spins out of grinds he keeps all of his speed and rolls out clean. My two favorite clips of his are back to back- the feeble gap feeble gap smith then the smith drop opposite smith. Van Homan himself would approve of his last clip. The song- fucking great as it is- could have been replaced with the hardest Uncle Murda track ever recorded and this section would have a completely different feel. But if you know Nicky B (you kinda get the idea from some of the B-roll clips in here) you know that this track is perfect for him.

Matt Miller himself is up next. I had some idea of what he’s up to before seeing this part, but I had no idea of the scope of things. No idea. He’s got the most stylish halfcabs, probably ever. You’ll see what I mean on a few of them. He can also fullcab high as fuck. You’ll know exactly what I’m talking about when you watch this. His pedal grind game is tack sharp. I swear he could 540 out of a manual too. There is one clip where he wallrides backwards into a storm door- he rolls fakie on the wall. Incredible clip. I watched it a few times just now. Pedal grind to G-turn- and he has to, like, hop out of it too. So good. Halfcab whip looking so sick. His last clip is completely unexpected- that is, I had no idea where he was going with it, but damn it’s wild.

John Yoh definitely has the breakthrough part of the DVD. His name, awesome as it is (his last name is Yo!) isn’t well known. This section will probably change that fact. He obviously went in while filming this (the intro clip) and it worked out in the end. He keeps a good, positive attitude even throughout the blood and bruises. He can hop high, grind far, balance amazingly on his nose (into and out of grinds), grind opposite to opposite spin, throw bars anywhere, hanger anything- reg and oppo. He noses through that square bowl fountain thing, so smoothly. His ender is… wow. You don’t see that every day.

(Riding break- I couldn’t help it. This video gets me so psyched to ride)

The friends section is, friendly… A great cross-section of Philly area riders, a Dak clip, some Belcher clips and Kyle McClinton going so slow at a huge gap. He crashes once, gets up and fires it out, going just as slow… I have no idea how he cleared that but it looks like he’s running 25-16 gearing. A great track to accompany, with the chorus repeating “When you see me in your town say wassup”. Friendly.

Mike Swift is up next, riding smooth as ever. I guess it took him a while to warm up to the song Matt used, but honestly, it’s my favorite in the whole video. I know a lot of people will think the opposite, but it gets me every time. The railhop to manual 180 clip paired with the music gives me chills- a beautiful example of skilled video editing. The wall-smith fullcab out gets my vote for one of the best clips in the video- but that does not even come close to comparing to his ender. The perfect setup and it could not have been done better. My favorite clip in the video.

The Niranonta brothers- Ryan and Joe– share the next part. It’s somewhat difficult to tell them apart (Ryan rides the Scerbo bars) because they can both hop crazy high and barspin up there as well. I like that the first couple clips are each one riding the same spots. Hang five to smith (with a stylish backpedal) bars out is my favorite clip in the section. That or the quick fullcab barspin. Ryan scores the last clip and it’s pretty wild. Their song is one of the best ever recorded, ever. Honestly.

Dan Bob comes out of left field almost dying from tetanus in his first clip. I’ve never met the guy but that clip alone tells me a lot about him. One of the first clips is an icepick- technically on a triple kink rail, but more realistically an ice-drop-ice-drop-ice. A high-speed hop nose manual hop out into a bank is a great clip. A spectacular nose manual off a large ledge follows soon thereafter. Last clip was made for that spot and I’m sure it’s been talked about for a while. Dan Bob made it happen.

Brendon Reith rides to a vaguely cowboy-western track with his usual M.O. of crazy ledge rides and 180 railhops. There’s a clip of an icepick on a kinked rail where he pretty much gaps onto the flat- don’t know if it’s intentional or not but it looks absolutely insane. Let’s get real though, he’s got some of the best icepicks in the game and his pegs hopover style is next to none. Speaking of which, his last clip… Got damn! I think everyone was thinking the same thing at that exact moment.

Kevin Vannauker comes pedaling full speed in his opening clip and does something that will stay with you for a minute. I’m not going to ruin any surprises but, fuckkkkk… He’s an incredibly well-rounded rider and has style to go with it. I’m sure it’s not the first time you’ve seen his riding though. This might be a spoiler of sorts so *spoiler warning*

His part would have been super solid had it only been the one song but shiiiitttttt, as soon as the second song starts playing, with the quick drum beat and Kevin pedaling, again, full speed, I can’t help but get the chills, once again- super psyched on this second song. Holy fuck- that’s what he was pedaling at! Every clip from here on out is so great, but one that stands out to me is the toothpick on the fence- stalled out and everything. So. Fucking. Good. This track is too good. I’m usually not a fan of the tooth-360 over maneuver but this one Kevin does made me a believer. I also love the truck to manual right after that. Second to last clip appears to have been filmed on VHS but it’s fucking beast. Last clip is manly as fuck and could have been disastrous. Kevin makes it happen.

And that’s the video. An instant classic, quintessential East Coast crew video, filmed great, edited wonderfully, amazing riding, funny clips from pedestrians, an extremely enjoyable soundtrack and professionally crafted. The DVD extras include falls and random happenings between Philly and Levittown- entertainment throughout (“I’ma slow-mo dat!”). Kids love Chocolate Truck.

Pick up the DVD for a mere seven dollars shipped. Trust me on this- you want to see/own this video.

If you want to learn a little more about the work that went into the video, check out the interview with filmer/editor/rider Matt Miller.

Photo of the Week: Casey Smith

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“I shot this photo of Aaron Robinson at Northside Skatepark in Norfolk, VA on April 19th of this year. Although it was a few months ago, I specifically remember shooting this because it was during a bowl jam that I put on.

There were two things that really made this photo difficult to achieve; the first being the framing. Previous to shooting, I noticed the gap in the tree line could cradle a rider jumping that hip perfectly, but it took me multiple tries to get the timing and angle just right; luckily Aaron’s tables are so on point, he was able to do them over and over.

The second issue I ran into while shooting this was the weather. Although unnoticeable in the photo, the winds were horribly gusty (35mph to be exact) and this specific skatepark is landscaped with mulch and wood chips, so debris was flying everywhere. This combination creates an extremely difficult situation for the rider, especially when jumping a seven foot tall hip, but Aaron handled it very well.

I was very pleased with the final product, not only because I captured one of Aaron’s perfect tabletops (I have repeatedly claimed that he has the best tables in Virginia), but the fact that I captured a memory from that day which will now stick with me forever.

Technical data:

Canon 60D
Canon 18-135mm
1/1250
f/4.5
ISO 500
Zoomed to 39mm”

Check out more of Casey’s work here.

Join the Flickr group and add your images to the pool to be next week’s photo!

Pure Fix in the City

Get yourself some stylin’ wheels from Pure Fix!

Photo of the Week: Mario Gorman

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For the most part, I don’t like to post vertically-oriented photos, simply because they don’t display well on computer monitors, but this was too good to pass up. The composition of this image is impeccable- every vertical line is perfectly vertical. Although I’m not a fan of rules, the rule of thirds is strictly abided by. The timing is perfect. The light is nice- an optimal time of day for natural light photographs. It’s a pretty crazy tailwhip to boot and I could easily see this covering a magazine.

“For this photo I shot of Flo was somewhere in LA. Right away he climbed to the top and hammered it out. From where I was standing, which was completely at the bottom, I couldn’t get the angle I wanted, so I had someone give me a boost onto a platform about 10 feet high. It was around 5 or 6 o’clock with the sun out, blue skys and no clouds blocking it. I set my white balance to daylight and set the ISO to 200. For the shutter speed I shot at a 1000th of a second and the f/stop to 4.5. The camera I’m using is a Canon Rebel T3i and I’m using the stock lens it came with which is a 18-55 mm. I bought my camera four months ago and just been shooting as much as I can when I’m not working.”

Check out more of Mario’s work here.

Join the Flickr group and add your images to the pool to be next week’s photo!

“Everybody Street” Trailer

This documentary about street photography looks like it has the potential of being amazing. A Cheryl Dunn production.

Chad Phaire’s Instagram

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Chad Phaire has caught the eye of the BMX scene with his pegless suaveness contrasted against the gritty four-pegged norm in NYC. He’s been steadily gaining more notoriety through his edits for Cult and for being an all-around motivated and appreciative individual. One thing about Chad that most people might not know, and I did not know until recently, is that he’s got quite the photographic eye. A lot of people have it- the instinctual attraction to the elements of art- but don’t have access to the proper mediums (or the gumption) to translate those inclinations into artwork. Thanks to the rapidly evolving world of technology, anyone who owns a cell phone can now shoot photographs of a decent quality (most cell phones these days have more megapixels than my first digital camera, purchased a decade ago) and have at their fingertips multiple outlets to display and share said photographs (I use the term “photographs” loosely). Out of all image-sharing apps available today, Instagram is undeniably the most popular (with 130 million users and 45 million uploads daily).

Chad’s work first caught my eye a few months ago when he asked how I cropped my Insta images. I told him the app I used and wondered to myself what business he has cropping images- it’s not something the average Instagram user does. I was very surprised to see him uploading some spectacular photos from around the city- stuff that would look amazing printed huge and hung on a wall. Unfortunately, the five or eight megapixel cameras included in most cell phones shouldn’t be printed larger than 8×10″ (shouldn’t, not can’t). Since following Chad over a year ago, I’ve watched his photographic eye and iPhone 5 yield him some remarkable photos and glowing feedback from his followers. About a month ago I was pleased to see Chad with a 35mm SLR camera slung around his shoulder. We got to talking about photography and Instagram, and this is what he had to say.

“I got into photography 6 months ago. Right around the time the Iphone5 came out. I just upgraded from the IP4 and couldn’t ignore the camera power the IP5 had. I started to take notice in a friend of mine who I follow on Instagram Ralphy Ramos. His vision and sense of detail and use of color is amazing. The reason I was drawn to Ralphy Ramos’ work is because his photos looks like its shot with a $5,000 camera but surprisingly everything he shoots is with a iPhone. I always new the camera on a iPhone was decent but had now idea it could take as good as a photo as a DSLR. Me and Ralphy got closer over the past few months and he taught me how to use different apps to clean up the photos I post to Instagram. I never had any prior knowledge of photography but I always knew what I like when it comes to photos. Honestly the only photographers I know of is my all time favorite 13thwitness, of course Ralphy Ramos, Karston Tannis aka Skinny and you Scott Marceau. It wasn’t until I started to go to Edwin Delarosa‘s print shows that really open up my eyes to photographs. I know Ed uses many cameras not just a iPhone but his vision got me into shooting more then just depth of field and buildings. I have to say Edwin opened my eyes and inspired me to shoot differently then what people are use to seeing coming from New York.”

I’d like to take a minute to share with you some of my favorite selections from @chadphaire.

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A/V Club T-shirts

av club shirt

Hot off the press, in a limited run- get yours now! Free shipping in the continental U.S. and free buttons with purchase! Only twelve bucks!

Photo of the Week: Nathan Beddows

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This week’s photo captures a moment akin to the Normandy landings on D-Day in 1944. Maybe not as serious, but for some reason when looking at this photograph, D-Day comes to mind. Almost as important in this shot as the rider are the passersby walking under the obstacle, giving a sense of scale and place. I am a fan of the shapes in this composition, from the small rectangular posts in the water to the circle cutout in that wall. Although this is a digital crop/de-saturate, Nathan did it properly, including everything that needs to be included and creating a beautiful scale of tones from highlights to shadows.

This photo of Jason Phelan doing an overtooth in Aberdeen was shot during the 2010 Mongoose Ride To Glory trip. Jason had come along to film the trip.

The XMP on the photo says it was shot with a Nikon D3, a 50mm f1.4, at 1/1000 f5.6 iso 800. I can’t remember much from that exact day but it was pretty grim weather-wise and that people were walking past not noticing us ride the roof. We waited till people were in the frame each time before doing the shot. I think the photo that got used in the Ride To Glory issue had a jogger running past with Jason doing an overice stall. Nothing else interesting happened there apart from the trick and the photo.

I haven’t seen Jason much since he was extradited from England but we had travelled a lot together and shot a lot of photos. This is probably just one from several hundred. Kinda interesting that this was shot on a Ride To Glory trip, as both me and Jason were joint longest running participants (every year since its inception) until this year (its sixth) when neither of us went on it. I think the last photo I shot with Jason was him doing a backflip with a guy in a wheelchair called “Wheelz” at Corby Skatepark last year.

Check out more of Nathan’s work here.

Add your images to the Flickr group and be chosen for next week’s photo.

VX1000 Filming Tips with Beagle

“With these little secrets, you can make your footage look golden.”

A very entertaining watch, even if you aren’t a filmer. Very unconventional techniques, but he gets results.

“Wine Country” by Terry Barentsen

“We met up in the AM at the Potreo park to get in a early morning session. Jake Honesto was in town so we decided to make a day of it and packed Jeff Twin’s TMNT van full of cameras, bikes, and party essentials. We headed North to Wine Country in hopes of finding new spots and riding a few parks. Our first stop was St. Helena where we were harassed by the grounds keeper as soon as we pulled up. Jake managed to get a few good carves before the vibe got too weird. After our horrible decision on lunch we ventured out to ride a hidden dam and bomb some back country hills on our way to our final destination, Santa Rosa.”