I began corresponding with Travis through the Push It A Stop Flickr page after noticing his extensive use of film- most notably shooting some riding shots on large format. He let me know that he’d be at Texas Toast with his 4×5. Sure enough I saw him there lugging around the behemoth of a camera, complete with tripod and dark cloth, and a Hasselblad slung around his neck. We spoke and it soon became clear to me that Travis is both a camera fanatic and dedicated film user. He is informed, experienced and well-traveled. Sitting down and discussing all aspects of photography with Travis opened my eyes to some things I hadn’t considered regarding technology and the lack thereof required in the art. He is someone who understands the power of the camera and loves every part of it- from the equipment to the process to the ethereal qualities of a Polaroid of his daughter. I introduce to you the Ansel Adams of BMX, Travis Mortz.
0:30 – How was shooting at Texas Toast with a 4×5 camera?
2:25 – Travis’ shortened life story and first rolls of film
5:18 – When has film failed you?
6:32 – When has digital failed you? (pretty crazy story involving Tony Hawk)
9:50 – Travis’ formal education in photography and the arts
11:58 – Favorite photographs?
12:42 – Crazy story about Dorthea Lange and a Linhof
16:06 – Online portfolio?
17:05 – Your favorite film?
17:45 – Your lighting setup?
19:19 – Travis asks me about my film-use frequency
22:03 – Travis describes his darkroom setup in the mountains
25:04 – What are your film buying habits?
27:02 – “People are scared of film for some reason”
27:28 – You ever been fucked by a lab?
28:56 – Recent camera purchases?
31:59 – “My results will always be different”
32:39 – Favorite developer?
34:02 – Travis’ theory on preservation
35:20 – REMEMBER TO START UP YOUR EXTERNAL HARD DRIVES AT LEAST ONCE A YEAR
(A great discussion erupts here and some really good points are made.)
40:02 – We go through the gear that Travis brought with him
48:54 – Shooting at Woodward Camp
51:30 – Travis talks about his recent trip to Sweden and how Hasselblad wrote a story about him
54:06 – “My biggest project is documenting my daughter’s life”
Posted in Art, BMX, Gear, Interview, Photo, Podcast, Tech
Tagged Film, Graflex, Hasselblad, Linhof, Travis Mortz
This weeks photo of the week comes from the Hasselblad lens of Arizona’s finest photographer (and great rider),Derrick Riggs. With the beautiful colors Provia 100 offers tied together with a crazy trick and perfect lighting I knew this was the one. Keep reading to hear a bit more on how this photo went down.
“I first met Vance Trevino maybe about 2 years ago while on a trip to Tucson AZ, he and his cousin Andy “floyd” Erickson most definitely do there part to keep BMX raw in Tucson. Case in point, we actually went to this school cause Vance wanted to a just 360 the stair set which lies and the bottom of the rail/ledge. A few minutes after getting the clip on set, he told Andy “i wanna 60/40 the rail” and asked if id like to shoot it, i gave him a “hell yeah”, after a few tries he rolled away with a smile on his face. By the way he also did a hard 180 out to. And a “STILL” is better than sequence any day for me. KRIMZEN !!!!!!” – Derrick
Camera: Hasselblad 500c w/ 80mm 2.8 – 1/500th maybe f/8 or F/11
Film: Provia 100f
Lights: 1 Einstein 640 powered to 226.3 watts, flash duration of 1/3108th t2
Slaves: All triggered by pocket wizard plus 2’s
The colors, the composition and the shapes in this photograph make this the photo of the week.
“James has a one-track brain, he’s either completely engaged or miles away in his own head. Unfortunately he’s spent the last three summers trying to catch up on credits in summer school. This summer day at Capitol Hill high school was different though. James showed up to get work done and double pegged down this hubba twice, showing his rare attention to detail and his obvious love for grinding shit. This high school in OKC’s Capitol Hill district was built in 1928. This hubba (along with the wallride on the opposite side) are recent additions to the other spots in this ancient school.
Shot f5.6 @ 1/500th onto Kodak Ektar 100 iso film with a Hasselblad 500c (80mm lens) then developed by Bedford Photo in OKC and scanned in on my canoscan 9000f film scanner. I don’t really edit my film scans more than removing dust and adjusting the exposure for digital presentation. Lately I’ve been shooting more color since my college darkroom is closed over the summer, Kodak has been my favorite color film for a while now. My favorite part about taking this photo was hiding the designated filmer (Manny) directly to the left of the frame on one of the top steps. I attempt to make truthful images and don’t photoshop out filmers or any other distractions. Spending time moving around and composing the right image before I press the shutter makes me much happier in the end.”
Check out more of Matt’s work here.
See more of James’ riding here.
Join the Flickr group and enter the Fisheye Contest.
“February in a bike shop here in central California is typically a slow time of year. On this day in 2012 Chad Osburn and myself took an extended lunch to ride Chad’s Alma Matter. After shooting a few other shots digi around the school, we stumbled on these rails. I knew this would make for a good medium format shot, due to the ambiance and timeless, reckless, high school feel. What obviously added to the difficulty, was trying to avoid the snack bar counter, but he ended up sliding a few nice slow cranks across the cool blue rail. I shot this packed up and back to the shop we went.
As far as flash setup, my memories a little foggy, but I believe I used two flashes – Sunpak 555 in the far back right approx. 8ft. back, and a Nikon SB-28 to the camera’s left facing Chad.
Camera: Hasselblad 500c/m with the 80mm 2.8
Aperture: f 5.6
Triggered with: Paul C. Buff’s Cybersync’s
Film: Kodak Ektar 100”
Check out more of Ryan’s work here. See more of Chad’s riding here.
Join the Flickr group!
2880 x 1800
2048 x 1536
1920 x 1200
1920 x 1080
We shot this photo in Tulsa, OK in March of this year. The spot is called “Hell Ditch” and it’s rather amazing. I had Damian Racut film me setting up and shooting this so that I could make a walkthrough video. I was kinda drowsy, only getting a few hours of sleep on a hotel floor the previous night so I was not 100% mentally acute. My Canon flash wasn’t firing every time and I didn’t realize that. I’m pretty sure it didn’t fire for the final image but oh well.
Thanks to Scotty for doing numerous euro tables, Damian for filming the walkthrough, Rob DiQuattro for comedic relief and Bobby Simmons for moral support.
As a holiday gift, here’s an outtake shot of Rob airing from the other side that you can also have for wallpaper (unfortunately neither of my flashes on the right fired):
2880 x 1800
2048 x 1536
1920 x 1200
1920 x 1080
Here is the making of this photograph:
Hasselblad 500 C/M
80mm T* f/2.8 lens
Kodak Ektar 100 film
2x Lumedyne 200w Action Pack
Canon 580EXII (did not fire)
5x PocketWizard Plus II’s
Digi- Canon 1DIII, 50mm f/1.4 lens
The final image was scanned on an Imacon Flextight X5 scanner and large format prints were made on an Epson 9880 printer (prints are available for purchase)
Posted in Art, BMX, Gear, Photo, Tech
Tagged Canon, Damian Racut, Hasselblad, Hell Ditch, PocketWizards, Rob Diquattro, Scott Marceau, Scotty Wemmer, Tulsa, Vivitar
If I had to choose one word to describe this photograph, it would have to be “clean”. Plain and simple, this photo is so very clean. The lighting is balanced and even, the composition is proper- the natural shape of the dirt points your eye directly to the rider. The action is framed nicely in front of some dark trees, helping the subject to pop from the background. The colors are pleasing and the timing is perfect. I really like how his tires are covered in dirt and contrast against the dark green trees.
“I was riding Freedom 40 with all the dudes one day taking a bunch of runs, and I realized I should probably pull the camera out before it gets too dark. I set up on this particular dub because I haven’t shot it yet, and Henny was snapping some mean bad boys, (opp tabes). I used 4 flashes and shot it with my trusty Hasselblad 500cm. I think this is Ektar 100 film.
With the lighting I used 4 strobes. 1 up high lighting Hennessey from the left at 1/2 power. Another flash rigged halfway up that same lightstand lighting the landing at a 1/4 power with a diffuser. The 3rd flash was camera right at 1/2 power lighting the lip/ back of the landing. And the 4th flash way camera right lighting the lip at 1/2 power. I think I shot it at 1/500 f/6.3″
Check out more of Eric’s riding here.
More of Kyle’s work can be viewed here.
Add your images to the Flickr group for a chance to be picked for next week’s photo.
In an increasingly colorful and digital world, it’s good that people like Matt are going against the grain shooting black and white film.
“Every city has its staple street spots, the kind of spots that riders from out of town ask about. The 23rd street trannies fall into this category, they also take some time to get comfortable on. The bump where the ground and brick meet can bump and frustrate you while you’re concentrating on the lip. The transition is really quick and there’s a brick of vert at the top which makes any slip up’s painfully unforgiving. James got this toothpick stall right after pulling up to the spot. He locked in and held it for a second making my job easier and Jacob Hope filmed the clip since he was in town. Keep an eye out for the clip and visit delicvision.tumblr.com for more photos/edits from us.
Fuji Acros 100
1/500th @ f/2.8″
Check out more of Matt’s work here. Check out some of James’ riding here.
Add your images to the Flickr group to get some advice and show off your best work.
My name’s Matt Hildebrand and I’ve been shooting photographs for 6 years now. I started riding my last year of middle school and going into high school I wanted to take electives that related to BMX. My grandma sent me her Pentax K1000 which was the only camera I really shot on for the next four years. My high school teacher gave us the option of whether to shoot film or digital and since I already had my Pentax I went with it. All of my skater friends shot photos and took art classes so I kind of just fell into their group. I went to a pretty well off high school so all of the pretentious kids had expensive digital cameras, the darkroom had a completely different vibe for me. Towards the end of high school all of my older friends had graduated and I would eat lunch and make chemicals with my photo teacher. She sort of made me realize that I should go to college if I had the opportunity. Around that time George Marshall
came to Oklahoma to shoot an article for the first issue of The Albion and I got to see him shoot firsthand. Needless to say his work ethic and shooting style inspired me enough to buy a Hasselblad 500c with my graduation money. I’m finishing my second year at OU and working to get a major in graphic design, the university is structured so that graphic design falls under the art school umbrella. I get to take darkroom classes and can check out all sorts of equipment for free. I love both photography and riding because they’re constantly refreshing one another. I never get bored riding with my friends because there’s always an opportunity to get a clip or shoot a photo of something I don’t want to forget. BMX and Skating both have a unique and intriguing subculture which I think is important to document. There’s so much tangible passion in riding for me, whenever I shoot a photo I try and convey those feelings. This is why I feel it’s important for a photographer/filmer to keep pedaling, being on both sides of the lens makes it easier to decide camera angles and timing for me personally. When it comes down to it, the most important thing you can do is help BMX grow into something you can be proud of. Whether you dig trails, wax ledges, film clips, or shoot photos remember it’s all for the same love. (Photo by Luke Mouradian
James Anderson decided to hangover this rail even though the camera died. He really just wanted to do it for his own satisfaction and I offered to shoot a photo. This rail is wobbly and I was surprised with how much of it he managed to slide. As for the angle I wanted him to be coming towards me instead of across the frame to reduce motion blur.
Mikey Babbel spent a decent amount of time on this curved rail to hop over. The clip was well worth it and the photo turned out better than I thought it would. I set up the photo so that you could see the entire rail while also giving Mikey room to move about through the frame. My favorite part of this photo are the reflections in the windows and the overall tonal range.
I got to tag along with Jeremie on a trip to San Francisco last summer and I really benefited from it. I made friends with new riders and shot this photo of Caleb Quanbeck gapping out to wallride at one of millions of Cali school spots. I shot It from the roof with my wide-angle and was nervous about dropping my camera from the impact of the wall. It turned out the shake of the wall I was hanging over helped with my timing and I took it right when he was sinking into the wallride.
Jabari Winters let us stay at his place one year when Cody Anderson, James, and I were on spring break. When you stay at someone’s house for a trip you get a better impression of who they are then just riding a spot. Jabari is easy going and will spontaneously send himself down some pretty heavy stuff. More than that he’s a very hospitable and helps everyone enjoy themselves. I’m hesitant to shoot photos like this sometimes because I don’t want the photo to turn out posed or make people nervous or act differently because a camera is out. Luckily Jabari didn’t seem to notice I was setting up and I shot this portrait of him in his old back yard.
Jeremie Infelise rode off this roof “completely blind”. The twig he had said up to mark where he should ride off at had blown away and he went for it anyway. Sometimes a simple hop looks the best and this was a nice treat after the hell he went through filming a clip around the corner. Both clips are in a James/Jeremie split edit for Delic.
James and I ride street together more often then not. It’s hard to tell from his current style that he used to live in the skatepark. When we started riding mostly street he kept up with table’s and can pop one out of anything including this steep bank. The horizontal lines in the architecture helped me compose my photograph and the cheaper quality film my professor gave me for this shot works well together.