Category Archives: Tech

“A Different Vision: Simple Session 13” by Dmitri Shushuyev

http://vimeo.com/63082841

“For a lot of people who are watching and to a lot of riders who participate it is a major event. Last time I’ve been at Simple Session was in 2010, where I focused on filming most of the riding and to be honest thought that that was what I needed and wanted to film. Through recent years I’ve discovered that filming only riding gets boring over time and it does not give me the same satisfaction on completion as it used to before. Therefore this year I’ve decided to take a different path to this event and my newly acquired camera gear allows me to explore more possibilities than before.

I approached it from a different perspective and wanted to catch the beauty of the tricks, the people themselves, their emotions, the moments that the viewers don’t really get to see while sitting at home or sitting at the venue itself. Another aspect was to enjoy myself more and feed from the riders, the atmosphere surrounding and to meet new people. Of course the trickery that was unleashed was no doubt insane, however I got to enjoy it more than I did before, simply because creating something artsy and about the people is so much more rewarding.

I got to talk with Misha Rostomyan who is a very soulful rider and about the transformation of his style of riding as to where it was and where to it’s heading. Be on the lookout for some very interesting way of riding. Since I could not film the finals due to that only those who had STAFF badges could, I got to hang out with the Subrosa team and just goof around.

Also I tried filming skateboarding this year, however due to lack of knowledge and understanding I have unfortunately failed to capture a whole lot of it.

However, due to this and the fact that I could not film the finals I did get to experience my other passion, which is photography. Again my choice/direction was to capture the riders in their own element with both analog and digital cameras. Check the photos here:

ANALOG
flickr.com/photos/dmitri_shushuyev/sets/72157633106296166/

DIGITAL
flickr.com/photos/dmitri_shushuyev/sets/72157633053769340/

Follow me on:

FB: facebook.com/DmitriShushuyevMedia
Twitter: @DmitriShushuyev
Instagram: DmitriShushuyev
Vine: DmitriShushuyev

Technical info:
– Canon 7D
– Tokina 11-16 mm f 2.8
– Glidecam HD-2000″

Dmitri Shushuyev

“Through the Eyes of Brian Gaberman”

Here’s a short video of my favorite skate photog Brian Gaberman shooting some wet plates of his family. He’s got a rad little darkroom shed and a nice garden. Check out his work… it’s very inspiring.

Talking Shop: Jeff Z and His Website

jeffzsite

What made you go with the Tumblr layout?
“I dropped my first site like five years ago and eventually I decided to not renew the fees to keep it up because I felt like it was out-dated—that was about two years ago. Since then I’ve wanted to do a new site, but the thought of editing my images down and figuring out what exactly I wanted to do site wise was daunting so I just put it off. Eventually, Ryan Fudger started his Tumblr and I immediately liked the format. But I was still debating between a traditional website (one with categories like “action”, “portrait”, “lifestyle” or whatever) and a Tumblr for a like a month or two. During that time I talked with Francis Delapena, who I was planning on having build my new site if I took that route. He and I discussed what I wanted and I told him how I was debating between the two and he told me that he could help tweak the HTML in the Tumblr to make it exactly what I was looking for. In the end, I love how with the Tumblr all the images are on one continuous page and I can post a seemingly unlimited amount. Originally I wanted each image to fill the page because I always want the photo to be as big possible, but I quickly realized that with the 234 images that I wanted to post, it would take forever to scroll through, so I opted for three columns instead, with the option to click on the photo to go big. Having three columns was fun because it gave me a chance to pair images in little sets, either by rider, subject, location, etc. The only challenge was that since I was posting images shot with a variety of different format cameras the columns wouldn’t always line up evenly. I figured out a way around that for the most part, but towards the bottom the images don’t line up correctly and a step pattern begins. Although that wasn’t what I wanted, it doesn’t really throw a wrench in things too bad, so I can live with it. Overall, I’m really happy with the look and operation of the site and I will definitely be adding more images to it soon.”

Do you take any measures to not have your work pirated/stolen and played off as someone elses?
“No, I figure that I post hundreds of photos on the Ride site each month, too, and for the most part, brands/people just don’t grab the photos off the site and post them on their team page or embed them into a rider interview or something like that. On the otherhand, having an image reblogged is obviously great—as long as they plug the source. As for having an image played off as someone elses, I’m sure that does happens, but I have never heard of that happening to anyone I know. I just pity the person who would do something that lame.”

Have you ever had a photo stolen online?
“Not that I can recall.”

Would you ever watermark your photos online?
“No, I don’t think it’s worth it. No matter how small, translucent, or sweet looking a watermark might be, I think they look terrible on photos and ruin them for me. I’d rather risk having someone steal an image than make all of my images have some annoying logo on them.”

What kind of sharpening do you do for web images?
“It depends, most of the film scans have previously run in Ride, so they were drum scanned and sharpened, so I just resized those for web. The digital shots were sharpened using the unsharp mask filter in Photoshop, amount 45-65 (depending on the image), radius 1, threshold 0.”

Do you have business cards? Say when people ask if you have a website, what do you tell/give them? (Especially for us with hard-to-pronounce and spell last names, it could be difficult)…
“I don’t have a business card for my personal or freelance work, only a RideBMX business card with all of my magazine contact info. However, it’s funny you should mention the hard to pronounce last name, because that’s how/why I’m usually referred to simply as “Jeff Z.” as opposed to my full name. “Zielinski” just doesn’t roll off the tongue easily and it’s easy to misspell, so I’ve pretty much adopted the abridged version—but whenever I introduce myself to someone I still say my full name. I even went with jeffzphoto as the URL for my last site because it’s short, easy to remember, and you can’t mess it up. But when working on the new one, I decided to go with jeffzielinskiphoto because I figured it’s about time I get my work associated with my full name.”

Do you do any search engine optimization, meta keywords and all that?
“Yes, I tagged all of the photos on my site with a few of the same key words and some more pertinent ones to each specific image.”

Do you have a printed portfolio as well?
“Yes, I share it with two of the most dialed photographers in the game, Keith Mulligan and Ryan Fudger, we call it RideBMX magazine and it’s available nine times a year.”

Thanks for reading. Here’s a treat for sticking around–

Photo of the Week: Dave Raffa

jwg by dave raffa

My favorite part of this photo is the ambience- it almost seems like a movie set. The frame is filled completely, with no sky showing. It’s filled without being cramped or cluttered. Those newspaper boxes are nicely color coordinated. The lighting is dialed and the timing is perfect. I would love to see this printed large.

“Jeff and I shot this photo a while back in New Brunswick NJ. Jeff with glasses aka, Jeff Ludwig aka, the Cardlord sometimes rides in between working double shifts as the box factory. This particular day we were session-ing a classic New Bruns spot and I threw out the photo idea. It would make a sick photo if someone could hanger this little bike rack. The run up was short, bumpy, and you have to turn at it. What most would consider Anti-hop city. That didn’t seem to bother Jeff. A few minutes later a trail rolls in. With the train in the background and, the NJ transit logo right in the shot, we had to shoot it. So I set up my gear as Jeff analyzed the run up. Jeff landed it first take. I was happy with mostly everything, with the exception of the small shadow on his rear wheel. Jeff was down for another try. I adjusted my flash angle and we’re good to go. Whelp, anti-hop got the best of Jeff that time. He basically toothed the front of the rail and went OTB. He was cool about it. Jeff is the man. Sorry Jeff! 50mm F4.5 1/400th iso 200 Three Flashes.”

Check out Dave’s website here.

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Photo of the Week: Hadrien Picard

A breathtaking flatland photo from France shot by Hadrien Picard graces the site this week for all to see. Tell me you aren’t blown away by the colors! I don’t think there’s one color missing (maybe violet (don’t be a dickhead)). The action is unmistakable, and I’m pretty sure this is perfect timing for whatever wild flatland trick this is. The lighting is about as good as it gets when you’re shooting fisheye. The best photos are shot on the edge of Golden Hour.

“I took this photo at the last Ninja Spin that Alex Jumelin organized in a beautiful village in the center of France. Some really good Japanese riders were there, it’s crazy to realize how far you can go for your little bike!
Anyway, the end of the day was close & I ask one of my favourite flat rider Yohei “Uchie” Uchino to shoot a photo on the tennis court just in front of the contest. Flatlanders love tennis courts because they are flat and grippy and I loved the colors of this one! 
Time was running out and I knew we only had a couple of minutes before the sun would be down so I put a pretty simple set up : my lovely Nikkor 16mm AI 3.5 fisheye on my D700 and two flashes; an Einstein on one side and an Elinchrom on the other side. I think I put a diffuser on one flash. The difficulty with going fisheye is to hide the flashes enough so you don’t see them or their lights, but not too much otherwise you’re going to see your shadow and the lighting will be too flat. 
Another thing important in BMX photography are flashes: you need them to be powerful so you can underexpose the background & you need them to be fast, so they can freeze the actions. Little flashes like Vivitar are the perfect balance but bigger flashes are more powerful…and also more expensive and bigger. In any case, this moment of the day is the “golden hour”, the sun light is less powerful and the shadows are better.
To finish the story, I remember we tried to shoot a couple of pictures before the sunset. After that we kept going but I wasn’t satisfied with how they came out. Like sometimes the best photo was the very first, everything on it was cool: the lighting, the colors, the speed and the trick!
Thanks again to Uchie & Alex for organizing that perfect jam.
For those interested : ISO 200-1/250th-F8″

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Photo of the Week: Brodie Sturm

What first caught my eye was the extensive dip of this 360… Pretty crazy style right there. The merit of this photograph comes from the lighting, with that rim light popping him right out of the background (with help from the orange bike). The composition is formally structured and the attention is led directly to the action. Mostly though, it’s just a crazy 360.

“This photo came from my first shoot with Joe Battaglia a few weeks ago. I had just picked up new Promaster flashes and was looking to test them out. I had met Joe a few weeks ago and talked about shooting soon, so I gave him a call and we made our way from the chicago suburbs up to 4Seasons in Milwaukee. After a few hours of shredding we started shooting. We took a couple shots on the frontside of the step up then moved to the backside for the corked three. I choose the angle I did because of strong leading lines coming from the left side that pull your eye into the photo. My first flash is a Promaster FL1 placed to camera right at about 45°, at 1/4 power. This flash provides the main light for the shot. my second flash is a Promaster DSS 6000 studio slave at the face of the jump at camera right, about 145°, and set it to 1/2 power. This flash will provide the rim light that will separate Joe from the background. Both flashes are paired with Promaster receivers with a transmitter on camera. This was shot with a Canon 5D mkII body and Canon 17-35mm f/2.8L lens, exposure f/5.6 @ 1/160sec ISO 400.”

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“The Playground” by Tasos Kosmatopoulos

“This is a personal project that I wanted to do for quite some time. Single location in order to get some directed filming, one rider (Panos Manaras) and an edit to combine regular, slow & fast motion. Four cameras and three filmers participated in this in order to cover the angles we thought were the most interesting. Personally I have been riding this ramp since day one when its was more ghetto than ghetto and now after years of reshaping and getting done better I find it very absolutely fun and beautiful. So we used Canon 5D MK2 for details (at 1080p 30p) with a 50mm, Canon 60D for action (at 720p 60fps) with Tamron 24-70mm, Canon 550D with a Samyang 8mm at 720p 60fps on a ProAim crane and I also used a Sony FS700 as main camera & for the slow motion footage (1080p at 240fps) with Sigma 70-200 2.8 and Canon 17-35mm lens. We also used a dolly called Eazy Dolly which is an amazing tool and very smooth for the majority of our shots. I used a ProAim crane in order to get some shots of the whole ramp from above and some action on the spine (icepick over to over, and some flow riding). Quite a lot of things where also filmed on hand in order to give an edgier look on action. A note from my experience with FS700 is, its unique picture quality, dynamic field and colour depth. We didn’t use any external recorders in order to get even higher quality (through HDMI uncompressed 100MBPs 4:2:2 footage) but even with an SD card 28Mbps and 4:2:0 chroma the footage from that camera is superb. I realized it even more while colour correcting the footage. Everything was shot on neutral-flat picture style (sharpness to -4, saturation -4, contrast -2 and colour tone to 0). I use Adobe Premiere CS5 to edit and this video was edited at 720p and 30fps. I feel that 1080p footage downscaled to 720p is somehow nicer and crisper but this is an unscientific point of view. Although in europe we use PAL system I also wanted those NTSC extra 10 frames to help on slow motion and since its uploaded on the web it doesnt even matter. Editing wise having footage from 4 cameras can get tiring in order to decide the clips to use. Also its quite difficult to make the picture match as all these cameras have different sensors and the lenses were also different, but in the end its a nice experience and you can learn a lot of new stuff to add to your workflow.”

Rider: Panagiotis Manaras
Direction – Photography – Editing by Tasos Kosmatopoulos
Photography by Leonidas Germanopoulos
Photography – Crane operation by Dimitris Katranidis

Photo of the Week: Ivan Maslarov

I chose this photo because of the lighting, composition and colors. The hidden flash behind the wall adds a nice contrast to the scene, the frame is filled but not cluttered and the colors are pleasing and not too loud. Although it’s a digi crop, there are far worse things going on in the digital photography world.

“It was a very cold day but we still decided to venture out to the streets. I’ve been told that one shouldn’t go in this neighborhood unless with a large crew. But the temptation was great as I just got my pocket wizards and the spots had a lot of character. It was windy,wet, it was getting dark and flashes were flying to the floor. This was the last spot for the day and Sve was a little reluctant to ride it as the bank is way steeper then it seems. I shot a few direct ones as I felt a simple composition will work but at the moment I decided to try out to include the other wall I realized that it makes for a very dramatic composition with an interesting intersecting shapes. Big thanks to Stephen for being my intelligent tripod as the light that be was holding was the one that made the picture. Canon430 and metz48 each side, diffused. With them being the main light it must have been some fast speed and slow aperture. EF35,2 on 5d MK2. 1/200th @ f/2.5, ISO 400”

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In Focus: Video Editing Basics

Photo of the Week: Laureano Vallejos

I like this photo especially because of the perspective- people don’t usually see things from a vantage point above the subject. It really takes the action out of context and abstracts it. The lighting is great and it’s a nice looking whip.

“Is particularly crazy because a friend was taking this photo with a telephoto lens from the front, when performing his work ended, I put a Pocket Wizard on my camera and take this angle with its setting of flashes. Really just wanted to try that angle because it looks at the difficulty of the trick, I did not bring my equipment with me, just the camera. Matias Aristimuño is a very good friend and stylish rider, is always ready to try one more when the photo was not perfect. Argentina has many spots to ride and take good photos, but always has the same problem, you’re always thinking about the possibility of being robbed more than the picture you will get! It’s a picture acceptable for conditions in which it was taken.

Canon fisheye 15mm, Canon 1Dmk2n, 2 Vivitar 285 HV of my friend and Pocket Wizard-“

More of Laureano’s work can be seen here.

Shoot from above and upload your images to the Flickr group!