“Kicking Around” Film by Tripe Tree

A short film from Brazil about the thrill of street riding and the love for an unknown/unknowable future around each corner and down every alley of a city. Spectacular cinematography and a heartfelt message.

I got a roughly translated behind-the-scenes account from director/filmer/editor/co-writer Germano Gamba:

Well, me and my friend Julyanno started riding bmx before you even know that it took that name. Surely with our 14 or 15 years to really begin to understand this universe s what he meant to us. We live in a town very large n then we have only one bmx itself in mid-2009 over the internet because everything is happening slowly here on the bmx.

We started in Dirts but did not have much time to ride because we worked from 13 years to keep the bike moving, and if that was not enough we could not have the same long dirts because the owners of the land to put them down . That was really sad but it broke new ground , began to venture into the street since our houses were far from unique skate park . And the street was really where we learn virtually all tricks and movements that we know . Surely as every young man who begins to walk wanted to learn as many tricks and get support to maintain and live bmx bike . But bmx was so grateful to his teachings and good times that we did not want more learn the best tricks but make the cutest possible , as if it were a work of art !

Other difficulties appeared the worst .. Lesions , particularly I almost lost my left leg with a compound fracture en different my friend , but always were one supporting each other and going against our parents who supported us and did not realize that this was more than a sport that was our life!

On this film, we wanted to show a little than think about BMX, to go up against this madness trick trick in the world of BMX.
We film all our rides in our own city (many say they have no places to walk here , but in my opinion ride on the street is having creativity ) so with a more artistic language, film or if you prefer, use only 2 DLSR cameras and some old lens and a lot of creativity and patience e sensibility to chose the best angles.

All features we use
Camera : Canon 600D ( T3i ) and Canon 650D ( T4i )
Eos Lens : Canon 18-55 kit , Canon 70 – 300mm 4.0
Analogic Lens : Yashica ML 50mm 1.9 , 50mm 1.4 Yashica M42 , Pentacon 135mm 2.8 M42 , M42 Revuenon 35mm 2.8
Microphone : Shenggu SG -108
Suports : Black Lambel , Gazslider , Gaz Smartstabil Mini

Started filming in March 2013 and the interrupt filming in July 2013 because Julyanno crashed at work (he fall on the head of a roof as cleaned, and spent several days in a coma with a serious head trauma, but he recovered 100% and we were able to release the film with images that had until then)

Check out the official website for the film here.

Gutstains Autophoto

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Our own TristanGutstainsAfre has an Autophoto gallery over at Defgrip. Check it out.

Photo of the Week: David West

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This photograph is visually striking because of the color contrast. The rider’s red shirt against the gelled blue environment demands your eye’s attention. The angle is simple but I like it- I feel like I’m standing there on the side of the ramp watching him ride it. The composition is great and I love that the coping meets the corner of the frame perfectly. From a riding standpoint, this is a first-rate tabletop at heights out of a vert ramp that most riders will only dream about.

I woke up to the first snowstorm of the season in Baltimore with the day off work. Charm City Skatepark is our local indoor park here and they had just finished building one of the smoothest vert ramps on the east coast. First thing I did that day was gave my good friend John Burnie a call so we can shred that thing. He brought up the idea of grabbing a photo.

Once I got there I had noticed that the ramp was a much lighter color than anything else there. I am a huge fan of using color gels and had the idea to throw a #8 on an Einstein and hide it behind the matching pillar at the bottom of the ramp. I placed the other at the top of the ramp and got to work. John is a rider that get higher off the ground than anybody you’ll see without a sponsorship so he was the man for the job, ended up pulling a couple of steezy tabletops that this photo doesn’t do full justice to. End result was this photo, which is one of my favorites. I originally wanted to have the entire ramp in the photo but I had limited space. What I ended up with was much more satisfying than the goal set.

Camera: Canon 5dmk2
Lens: 17-40 @17mm
Iso: 800
Aperture: f/8
Shutter: 1/400 sec
Triggered with pocket wizard flextt5 with mc2’s for einsteins, both lights at full power (for hypersync)

Check out more of David’s work here.

See more of John’s riding here.

Join the Flickr group and post your photos for a chance to be featured here next week.

Miles Rogoish x Filming

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Photos and interview by Chris Mortenson

Miles Rogoish is not a stranger to the BMX world. Most people know that he is as talented in front of the camera as he is behind it. His videos capture the raw energy of BMX and allow the viewer to see into a session through an unedited window. After watching the Stranger Mixtape a few times I decided to hit up Miles and find out what goes into his filming and editing process.

You’ve been in the filming game for a long time, how long was it before you really felt like you hit your stride with your film work?
I’ve been filming for almost as long as I have been riding, I really caught the first stride during the beginning of the TWM (Tuesdays With Miles) series. Once I was laying footage to music and color correcting once a week besides the other projects I was working on it started to be a steady routine. Now I have the same stride but it just gets better everyday, except for my OCD making me nuts since I have a checklist of about 10 things I have to make sure are just right after actually editing the piece. Shits hectic these days between my Mac screen and the inside of my brain.

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What’s your current filming gear set up?
I have 2 current set ups
1- Sony VX 2100, Century Optics Mark II Death Lens
2- Panasonic HMC150, Century Optics .03 Extreme Fish
And I am currently looking at grabbing a Cannon 7D DSLR set up for filming mediums outside of BMX.

What’s your editing process like?
FAWK, Get it done I guess? I have more projects unfinished on my computer now than I have ever had. Guess it really depends on the project. If it’s a long term project it’s not ready till it is. If its a quick content piece then I import, lay down the preferred timeline by trick difficulty, watch it with the sound off to random music, pick a track, chop it up, ramp slo, color correct, audio adjustment, titles, and export! I love the feeling of a piece being complete and dialed from start to finish, even the fades come in and end on beats, nothing just gets set down and is “fine” it has to be perfectly on point for me to be able to move to the next.

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What’s your best advice for filming lines?
Get on a skateboard with big soft quiet wheels and if you hit a crack grab that mother fucker like its your own child. A lens blemish can put filming on old for as long as it takes century to replace the front element. Also get UP IN THERE! Don’t be scared to get up and close with the crunchiness, the closer you are without chopping heads and wheels is the prime distance to be from the rider the whole time you are filming a “line”.

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What filmers in the game do you look up to?
BMX Filmers – Tony Ennis, Tony Malouf, Will Stroud, Ryan Navazio, and Ty Morrow actually kills the film game, plus a small handful of the homies know what it is to get crunchy.

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Filming for the Stranger Mix, was it nice to get back on that VX kick?
I never jumped off baby! What you think this is Chris! I had been using the VX for The Trip and the Deadline video, which is currently playing on my flat screen right past this laptop #CRUNCHberries. If anything the VX has been chillin harder then ever but is still filming some upcoming Trip vids you guys should start to see soon. #VXForLife #NeverForget

The editing for the new Stranger Mix was done really well. Could you just share a little about what went into it and how you approached the project?
Always loved the raw and real life style edits with teams and squads around the world, that style editing is my preferred go to style, but you have to have the right project and people to make it happen. No offense I don’t think you could make a ramp rider mix with the same vibe… That being said, this project literally fell out of my mind and hands as easy and dope as it could. Rich Hirsch handled most of the tracks and once the soundtrack was picked the formula is pretty straight forward considering Rich and I know whats worth seeing and how fast you should see it. A little B-roll between rider sections and there ya have it…

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Any advice for the up and coming filmers out there?
Just go shoot and be inspired by everything you see. Instead of bitching about VX vs. HD or tripod vs. skateboard or anything you think you can complain about just focus that energy on creating something new for someone else to rant about. You’ll stay happy and your video work will keep improving. Never compete against anyone but yourself.

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Huge thanks to Stranger for the opportunity to have so much creative input into the video aspect of the brand, Its amazing working with people who are on the same page with ideas and actions and to top it off Rich Hirsch and Aaron Brenner (teammate / team manager) are two of my most solid friends. Osiris shoes for supporting me while I ride and not being bummed I wear out my right shoe extremely faster then the left due to filming the homies on a skateboard. The Trip for giving me my time here on earth surrounded by beautiful and amazing souls that share the same passion. Anyone I have ever pointed a camera at me or was scared to hold my camera back at me, I love you all. Cheers ++

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Through The Lens: Print vs. Online

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The Union‘s Jeremy Pavia wrote a piece describing the individual advantages and disadvantages of printed and digital media.

With a magazine, you can throw it into a bag and bring it with you anywhere and read it anytime, regardless of battery power. Hell, even in pure darkness you can still read a magazine with the flame of a candle. Try reading an online article with a dead laptop battery and tell me how that goes.

Read the rest here.

Talking Shop: Bob Scerbo and the Animal “QSS” Series

qss1 (All photos by Scerbo)

I initially emailed Bob simply to ask what “QSS” stood for. An almost instantaneous response prompted a couple further questions and before too long, we had a slightly informative conversation on our hands. Bob was nice enough to supply me with an advanced copy of the DVD which is, in my mind, one of the best to date. A Chocolate Truck mix, a Japan trip section and full parts from Mark Gralla and Ben Lewis set a stage scattered with the most current and groundbreaking street riding from the likes of Mike Hoder and Tom White (wait until you see their clips- you’ll know which ones I’m talking about) along with the usual cast of Animal‘s worldwide team and family. It is worth noting that the soundtrack to this one is a considerable departure from the hip-hop norm that Animal has long been associated with (along the lines of Hamilton‘s ending section in QSS 5).

Firstly, does “QSS” stand for anything? How did the project come about?

It stands for “Quick Shit Series,” It was just something I made up to put on the Animal Roadtrip DVD in 2006 so it would not get categorized as “The new Animal video” when it came out. It’s more like a mixtape series for lack of better words.

Have you edited all of the QSS releases so far?

Yes- Navaz did the Chocolate Truck section in this one, other than that I have done everything else.

The soundtrack to this one is quite different from previous Animal releases. Any reason for that?

No reason in particular other than that was the way it went together. I knew I wanted to use that Janis Joplin song for Ben’s part for a while now and the song In Rat’s part is a song he sent me years ago as a potential song for an older part we had worked on. I forgot about it until one night I had my iTunes on random and it came on. I wanted to use that Husker Du song just because I miss that kind of music being in videos- it sounds like something in a video from the late 90’s early 2000’s and I think that was a sick era for riding and videos and general. I thought that song had a lot of energy and it was a good way to get a video started.

jeff k footjam by scerboJeff Kocsis

Is there still a new Animal full-length in the works?

We are supposed to begin working on a full-length after this comes out, so I guess technically anything that gets filmed from now on will go toward that.

Word. Still rocking the TRV-900?

Nah, the one I have is broken as of a few months ago. I have a VX2100, a Canon T3i and Panasonic HVX (which I have not used yet)

You guys have any big plans for this year?

I honestly have no idea because I am really only involved with the video stuff. As far as parts, clothes and all that stuff goes- I really don’t pay attention. I personally am just focused on getting this full-length team video rolling, hopefully doing some shit with Skapegoat and potentially helping with some filming for T1.

hamilton wallride by scerboSteven Hamilton

Nice. Where are you stationed these days?

Philly at the moment, about to head to Austin for a while though and then hopefully aimlessly around the country after that- if weather permits a potential Skapegoat trip to Alaska and then probably back to Philly.

Hell yeah. Anything else?

Thanks to anyone who attended the premiers and supports my videos in any way, I appreciate it.

QSS 6 will premiere online Monday the 20th and DVDs will be available shortly thereafter. For now, check out these teasers and follow @skapegoat256 for updates from the field.

Jeff Klugiewicz Edit

Song: Gotye “Hearts A Mess”

Enough said.

Team SAF Photo Gallery

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There’s a dialed photo gallery of the SAF crew riding some local spots in New Jersey over on The Albion website. Shot by Josh McElwee, these photos are definitely some of the cleanest to grace the internet.

Photo of the Week: Ryan Ogawa

chad osburn by ryan ogawa

February in a bike shop here in central California is typically a slow time of year. On this day in 2012 Chad Osburn and myself took an extended lunch to ride Chad’s Alma Matter. After shooting a few other shots digi around the school, we stumbled on these rails. I knew this would make for a good medium format shot, due to the ambiance and timeless, reckless, high school feel. What obviously added to the difficulty, was trying to avoid the snack bar counter, but he ended up sliding a few nice slow cranks across the cool blue rail. I shot this packed up and back to the shop we went.
As far as flash setup, my memories a little foggy, but I believe I used two flashes – Sunpak 555 in the far back right approx. 8ft. back, and a Nikon SB-28 to the camera’s left facing Chad.
Camera: Hasselblad 500c/m with the 80mm 2.8
Shutter: 1/250
Aperture: f 5.6
Triggered with: Paul C. Buff’s Cybersync’s
Film: Kodak Ektar 100

Check out more of Ryan’s work here. See more of Chad’s riding here.

Join the Flickr group!

RideBMX Magazine – January 2004

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I uploaded the January 2004 issue of RideBMX Magazine in it’s entirety on TCU for your nostalgic viewing pleasure. Enjoy!