“This photo of AJ Carvalho was taken about a few weeks ago. Aj is a pretty chilled soft spoken guy who doesn’t speak much, however his riding speaks very loudly. As of late, I’ve been bringing my ladder with me everywhere I go. It fits perfectly in my car. I like to bringing it along for special shots like this. I never know when I’ll run into the perfect opportunity for a golden shot of someone roastin’ tabes, turndowns, etc.. I’ve seen Aj blast this hip before and knew he would be down to maybe create a little magic. Initially, I wasn’t stoked on this photo till I went back the other night and saw it again. For some reason it works weird that way for me at times where I’ll sit on a photo for some time only to go back and find that the photo wasn’t half bad to begin with. I’m sure there’s other photographers out there as well that, maybe like me, find themselves asking “what did I not see in this photo the first time around that I’m now seeing weeks later?” Haha, I don’t know. But, what I do know is it’s kind of neat when that happens for sure! Thanks Nick.
Tag Archives: Vivitar
“We shot this photo at Villanova University, there was probably about 30 people standing around watching so that was stressful, and I had to clone a couple people out of the photo. it was the first day with my new camera so i was still getting used to it. Marty didn’t even really wanna do the hanger, we didn’t film it or anything, i just thought it would make a cool photo. Marty is the man.
Nikon D610 — 1/160th — F/ 7.1 — ISO 100
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The first thing I noticed about this photo was the unique perspective – how Rudy chose to shoot from behind the ramp. If the rider hadn’t gotten high enough to clear that back railing, the shot would be a wash. Luckily the nicely lit barspin was thrown at a perfect height and this photograph was a success.
“Pretty much, this prefab park isn’t too far from where I’m now staying and is located in a parking lot of a cop station. I recently just started hanging out with A.j whose riding abilities are on another level. He got off at 8 pm and we met up at the cop station park & just did bikes on it. As usual, I got hyped at around 9:04 pm, before going to this other spot, when I saw him doing tucks & bars on the neat green little quarter pipe. Well crap at that point, my monkey instincts kicked in naturally & began noticing this tree I could climb like a damn ape that has been injected with heavy doses of caffeine. I originally was getting a snap of the tuck no-hands but he did this barspin, which caught me off guard, but was able to get lucky enough to snap this at a decent time or at least what I think is a decent time. I think my settings were ISO: 400, Shutter: 60, aperture: maybe 7.1 (p.c is acting up to get correct info.) Also, I’ve never owned a legitimate camera bag but hopefully one day that will change that I can get to experience that. And using a vivitar & sunpack off camera flash and still shooting with that canon t3 but i think maybe that might be changing soon.”
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This photo was a huge hit in the Push It A Stop Flickr pool for obvious reasons. First off- that sunset is gorgeous. Those are the colors that everyone wants from a sky at dusk. So the timing with that (and the timing on the trick) could not have been much better. The bright green leaves pop amazingly against the sky without distracting from the action. Composition is on point with the landing of the previous set framed in the bottom left which guides your eye directly to the tire marks launching straight off that lip. Then boom, there’s the rider, lit so nicely, portraying a beautiful 360 table. He is framed perfectly in the sky between the dark tree line in the background and a small branch of lit leaves closer to us.
“Most of the time at Redbox I will ride, as it’s one of the few lines in Austin that I can make it through. Scott Glannan was throwing some awesome sauce on this last set, so I got out my camera just before the sun went away.
I set up an AB800 far right at ¼ power and a 285HV at ½ power, behind the landing in the foreground. I was using a Rebel T2i w/17-40L. I am currently looking for a new camera body but haven’t come upon the right deal for me yet (anyone selling a 5D MkII hit me up!)
I started with iso100 but changed it up to 200 as the natural light faded. I also cranked the 285HV to full power to get that tree lit up better. Final settings were 1/200th f4 with iso200. I was really stoked on how Scott folded himself in between the tree lines, a few people asked to see the photo on my LCD and I got some great feedback, much appreciated guys!
Thanks to Scott for giving me time to set up, and being an all around rad dude. Also, thanks to all the people I’ve been shooting with recently, you rule!
Rebel T2i w/17-40L @29mm
Alienbees B800 w/ vagabond
3 x Pocket wizard Plus X”
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I found this photo after Van had entered a photo of himself in the bunnyhop photo contest, popping a stylish hop in the middle of a pristine, fragile-looking living room. I was intrigued and looked through some of his other work and found this. I thought it was funny and original and asked him about it.
“Damn. It’s been over four years since I shot this. The marks on the wall are long since gone, despite having persisted in randomly appearing briefly every now and then over the years. Riding in unusual places is something I’ve always enjoyed. Or maybe I just go crazy on rainy/freezing days. Self-shooting with a “stock10” timer is a fun challenge for me, it’s like, “Shit, what can I do, when I gotta do it, now.” I’ve done shots in my room, the living room, the basement, and here, the hallway. I tried setting up a shot for a cave-man into the stairs. Fell trying to get everything set up, so that idea died quickly.There’s a full series I’ve wanted to do, just never got around to finishing it. I probably should.
This was at 1/125, f/8 my gold standard back in the day. Iso was probably 100. The flashes were high left, low right, probably something like a 1/4 power Vivi285 and a 1/8 powerSun555, respectively. I had my 20D with a Tokina 10-17 + 1.4 tele-conv. at about 35mm, all said and done. This was a meager attempt at imitating film, something I love, respect, but can’t bring myself to have an ongoing relationship with; shoot me.”
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I’ve said it before- the tuck no-hander is one of my least favorite tricks. However, this photograph transcends my distaste for the tuck and I’m pleased to present this week’s photo. There’s a perfect balance of dirt and trees, with the rider nestled comfortably in the dark area of pine. The red shirt plays off the green background quite amazingly and the small speckles of dark blue evening sky combined with his orange grips round off a pleasing color palette. The lighting is great, the timing is on point and using the dirt in the foreground in the bottom-left corner keeps your eye contained within the image.
“This photo is of my buddy Augie Adee doing a tuck no hander in Bakersfield, CA. I haven’t really shot much at his house this year so, when I got a text saying Mike Saavedra and a group of guys from France who he calls the French Connection were coming to town I grabbed my gear and drove over to Augie’s house. He has an amazing back yard set up going from crazy dirt jumps to a mini ramp. I had to wait until the sun began to go down so they could ride the trails, soon the sun went down enough to shoot. I decided to set up my flashes on the second jump that’s a right hand hip after I got everything set up, I began to shoot a few shots as they warmed up. and like always my cowboy studios trigger began to not want to work on my main flash after I put some fresh batteries in it fired. After I got my flashes figured out Augie threw this amazing looking tuck which he had to do twice. I would like to thank Augie for having to do this twice.
Canon 55-250 lens
Canon 270ex flash (left hand side of the jump)
Vivitar 550 fd flash (right hand side)
Cowboy studios flash triggers
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The first thing I noticed about this photo was the way the vertical lines are perfectly vertical. This is something I always try to achieve in my photographs. It is never actually necessary to do so, but in some fields of photography (especially architectural) you always want the verticals (of a building) to be straight up and down. It just looks so, so clean. Besides that, I liked the way the overpass cuts off the upper-right corner, containing the entire frame and not letting a white sky spill onto the background. The lighting is simple yet effective. The two red signs in the background are a nice touch of accent.
“I shot this photo of Joe Bolden doing edger foot jams on a windy cold Saturday. We met up with Houston street rider Brian Peters who then took us to this amazing spot under a freeway in Houston, TX. Btw, if any out of town riders are rolling through Houston & looking for street spots to ride, Brian Peters is your man. Back to the photo, we originally were here to get video street clips which we did but soon after busted out the photo camera to get some photos as well. Joe Bolden handles his street weapons with skill and fury and possess the ability to hurl edger foot jammers into objects, impale them on sharp objects or throw them off ledges. Other than it being unbelievably windy this day and the strong wind knocking over one of my flashes and breaking it, we had no hassles by any one. Anytime you have a Saturday of bicycles, coffee and friends, its sure to be a great day.
Camera: Canon EOS Rebel T3
Exposure: 0.01 sec (1/100)
ISO Speed: 200
Flash: Sunpak & Vivitar 28FD (courtesy of Zipps. I still have it dude!)”
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We shot this photo in Tulsa, OK in March of this year. The spot is called “Hell Ditch” and it’s rather amazing. I had Damian Racut film me setting up and shooting this so that I could make a walkthrough video. I was kinda drowsy, only getting a few hours of sleep on a hotel floor the previous night so I was not 100% mentally acute. My Canon flash wasn’t firing every time and I didn’t realize that. I’m pretty sure it didn’t fire for the final image but oh well.
As a holiday gift, here’s an outtake shot of Rob airing from the other side that you can also have for wallpaper (unfortunately neither of my flashes on the right fired):
Here is the making of this photograph:
Hasselblad 500 C/M
80mm T* f/2.8 lens
Kodak Ektar 100 film
2x Lumedyne 200w Action Pack
Canon 580EXII (did not fire)
5x PocketWizard Plus II’s
Digi- Canon 1DIII, 50mm f/1.4 lens
The final image was scanned on an Imacon Flextight X5 scanner and large format prints were made on an Epson 9880 printer (prints are available for purchase)
I chose this photograph to mark the beginning of fall, because I think this is about as summer as it gets. The tones are so warm that I can nearly feel it. The composition is incredible and the lighting is more-or-less perfect. It’s an ultra clicked invert and I wouldn’t be surprised to see this on the cover or in the spread of the next Woodward brochure.
“This photo of Dan was shot in July at Woodward East. We originally decided to shoot a footjam on the 18ft. mini-mega ramp quarter, but a giant cloud came over the ramp and pretty much ruined the photo. The resulting sunset through the clouds, however, prompted me to ask Dan if he would be down to shoot something a few hundred feet away in The Cage.
We showed up right as the sun was disappearing over the horizon. The first thing that grabbed my attention was the pastel-like quality of the clouds facing southwest, behind the vert wall. I asked Dan if there was anything he would like to shoot on it. He simply responded ‘Table’, which was all I needed to hear. Since the sun had gone down by this point, I set out to mimic the last few moments of daylight via the use of three flashes.
All of the flashes used were gelled, no white light was used. The main light is an Einstein coming from camera left about 10-15 feet away from Dan, gelled with a ‘soft amber key’ to mimic the warm glow of a lamp high above. A one-stop sheet of diffusion material was also used to soften the edge of the light. The rim light was an AB800 about 50 feet back-camera right and aimed directly at the vert wall, feathered a considerable amount to the left in order to keep the light on the vert wall and not as much on the bank on the right side of the frame. This light was used to mimic the natural rim light effect that the sun would have normally. A 1/2 CTO was used to give this a slightly warm, more realistic feel. The third and final light was a Vivitar 285 hidden behind the vert wall, pointed at Dan, also with a 1/2 CTO, just for a little bit of underlight/separation.
I shot this wide open at f/4 in order to further enhance the soft quality of the clouds in the distance. Dan did the table twice, and this was the result.
Canon 5D Mark II
Canon 70-200 f/4
Alien Bee 800
Vagabond Mini battery packs
Pocket Wizard Transcievers
Various gel sheets”
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This week’s photo is proof that you don’t need a rider to be doing a crazy trick to make a great photograph. I’ve always been a fan of the super-wide environmental shot and this is a prime example. The most difficult part is lighting the rider without having the light source in the photo, but Leo did a great job with this. It’s busy but not cluttered. This would make a perfect magazine cover.
“We shot this just east of I-35 on this huge hill which has the banks that Shane gapped over the stairs. It’s funny I actually didn’t like this photo because I felt like I could’ve gotten more of the road into the city but with the bushes in the way of the bump and the pole sticking out of the ground I couldn’t shoot it how I wanted. I was actually bummed all night until I realized everybody loved the shot. I’m my own worse critic. I like to be hard on myself so I usually don’t know if its good or not.
I had one Vivitar 285 HV at 1/2 power off to the left side of the subject (Shane Goldstein) on a light stand.
I was shooting with a Canon 1D Mark II N with my newly purchased (same day) Canon 70-200 L f/4 I seriously fell in love with it its amazing what kind of composition you can come up with a telephoto lens.
The picture was shot at 1/320 sec. at f/5.6”
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