Photo of the Week: Matt Hildebrand

potw

In an increasingly colorful and digital world, it’s good that people like Matt are going against the grain shooting black and white film.

“Every city has its staple street spots, the kind of spots that riders from out of town ask about. The 23rd street trannies fall into this category, they also take some time to get comfortable on. The bump where the ground and brick meet can bump and frustrate you while you’re concentrating on the lip. The transition is really quick and there’s a brick of vert at the top which makes any slip up’s painfully unforgiving. James got this toothpick stall right after pulling up to the spot. He locked in and held it for a second making my job easier and Jacob Hope filmed the clip since he was in town. Keep an eye out for the clip and visit delicvision.tumblr.com for more photos/edits from us.

Hasselblad 500c
80mm f/2.8
Fuji Acros 100
1/500th @ f/2.8″

Check out more of Matt’s work here. Check out some of James’ riding here.

Add your images to the Flickr group to get some advice and show off your best work.

@pushitastop Instajam of the Week

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Ben Basford by Gaz Docker

Tag pushitastop on your best shots (shot with a phone, only!)

Figuré Issue 6 Online

Contents include an interview with Sergio Layos, an article with Josh Bedford, a story about pegs, a piece on the Sosh Urban Motion smartphone video contest, lots of French words and really great photographs. Enjoy!

Photo of the Week: Josh McElwee

DAN_FOLEY_PIAS

I chose this photograph to mark the beginning of fall, because I think this is about as summer as it gets. The tones are so warm that I can nearly feel it. The composition is incredible and the lighting is more-or-less perfect. It’s an ultra clicked invert and I wouldn’t be surprised to see this on the cover or in the spread of the next Woodward brochure.

“This photo of Dan was shot in July at Woodward East. We originally decided to shoot a footjam on the 18ft. mini-mega ramp quarter, but a giant cloud came over the ramp and pretty much ruined the photo. The resulting sunset through the clouds, however, prompted me to ask Dan if he would be down to shoot something a few hundred feet away in The Cage.

We showed up right as the sun was disappearing over the horizon. The first thing that grabbed my attention was the pastel-like quality of the clouds facing southwest, behind the vert wall. I asked Dan if there was anything he would like to shoot on it. He simply responded ‘Table’, which was all I needed to hear. Since the sun had gone down by this point, I set out to mimic the last few moments of daylight via the use of three flashes.

All of the flashes used were gelled, no white light was used. The main light is an Einstein coming from camera left about 10-15 feet away from Dan, gelled with a ‘soft amber key’ to mimic the warm glow of a lamp high above. A one-stop sheet of diffusion material was also used to soften the edge of the light. The rim light was an AB800 about 50 feet back-camera right and aimed directly at the vert wall, feathered a considerable amount to the left in order to keep the light on the vert wall and not as much on the bank on the right side of the frame. This light was used to mimic the natural rim light effect that the sun would have normally. A 1/2 CTO was used to give this a slightly warm, more realistic feel. The third and final light was a Vivitar 285 hidden behind the vert wall, pointed at Dan, also with a 1/2 CTO, just for a little bit of underlight/separation.

I shot this wide open at f/4 in order to further enhance the soft quality of the clouds in the distance. Dan did the table twice, and this was the result.

Gear info:

Canon 5D Mark II
Canon 70-200 f/4
Einstein 640
Alien Bee 800
Vivitar 285
Vagabond Mini battery packs
Pocket Wizard Transcievers
Various gel sheets”

More of Josh’s work can be seen here, and more of Dan’s riding can be seen here.

Join the Flickr group to get some help with your photography and become next week’s photo!

@pushitastop Instajam of the Week

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Nick Rosetti by Nick Elison

Tag or @ pushitastop on your best shots (phone photos only please).

Photo of the Week: Adam Cook

adam cook

My favorite part of this photograph is the composition- it’s almost symmetrical (it would be completely if the homies weren’t chilling (but that’s what homies are for- chilling)). I love the tones and textures in the pipe itself. I like sneaky homie holding the flash and quiet homie way in the back. I’m thinking this photo would look great printed big.

“The guys and I were planning on riding this full pipe in our town all summer but never got the chance to (its one of Lake Eries main waterways, its pretty dangerous to be in there apparently). Anyways, towards the end of the summer my buddy Bryan was getting real serious about riding this thing. He and Herby knew what to do because they were the only ones who rode the thing before. I got a text when I was finishing up a music video for a hip hop artist to get down there and ride it that afternoon. Well I couldnt ride it because my shoulder was still seperated and I knew I only had an hour until I had to help my cousin with something so I grabbed the camera bag and flew down there. When I got there they had already set up the ply wood and woodpallets and were riding it so I got right into shooting.

I couldn’t bring a flash stand because the water was 3 inches high and flowing fast so they had to hold it for me. I snapped a few pictures of Tommy. All of those were vertical and I was leaning on a wall hiding everyone else from the shot (also keeping me out of water). I slipped up and totally soaked my shoes so I said screw it and just stood in the deepest part of the water to get one more picture of Tommy. Andy was up and asked me to get another picture of him going as high as he can. Soaked and short on time I was totally reluctant to do it but I did one last one anyways.

I got home later that day and just applied a preset I made that I usually use on my photos and work from there. Turns out this one was pretty underexposed and looked a tad out of focus so I pretty much trashed it from the start. I came back to the computer later and just tried to see how much I could fix it by bumping the exposure up a ton and boosting the whites, all it did was make it worse. Black and white was my last option because I really liked the colors of that place.
I played with every possible adjustment lightroom could offer in attempt to save this photograph and this is what I came up with.

Weird sometimes that the photos you may think are your weakest end up being the best in that set.

Details:
Canon 550D
1/200
f8
ISO: 200
@ 40mm w/ 40mm 2.8

1 Yongnuo 560 @ full power to the left of the rider near the ground.”

See more of Adam’s work here.

Add your images to the Flickr group for a chance to be next week’s photo!

@pushitastop Instajam of the Week

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@nickybzski by @ryanniranonta

Hashtag or @ pushitastop on your favorite BMX photos (shot with a phone).

“Glory Hole X Burning Man” by Terry Barentsen

Terry once again comes through with a visually stimulating edit from the Bay Area. This is pretty rad, so be careful to gather inspiration from its mind-altering content.

Ricky Adam x Destroying Everything Extended Edition

Destroying book 2nd edition hi res cover
Ever since I picked up my first Dig, I was inspired by Ricky Adam’s photographs. As I flipped through each new issue I was blown away with the energy he captured with his camera. When I heard his first book “Destroying Everything” was coming out, I knew I had to own it. Now that he’s doing an extended edition, I wanted to catch up with him and ask him a few questions about it. If you missed out on his first book, you won’t want to miss this one. It’s one for the shelves.
For kids who might not know who you are, could just give a little background info on yourself?
Hello. My name is Ricky Adam. I’m from Northern Ireland, although I have been living in mainland U.K. for the last 11+ years. I first picked up a camera in 1997 and haven’t stopped taking photos since.…I really wish I had some coffee right now to kickstart my brain before I answer these Q’s.
ricky adam skiplickers
What made you want to do an extended edition, or is it going to be completely different than the first book?
Well, I was approached by an Italian arts publisher, ‘Drago Arts & Communications’ and invited to make a 2nd edition of the book. The 1st edition sold out quickly, so the timing was perfect. Since the release of the 1st edition I had taken more photos that fitted well. So, the publisher suggested making an extended version to include these extra photos. Also, I found a few old negatives that I wanted to include in the original book. Typically, after searching for them for months I found them pretty much as soon as the first edition came out. At least they will now see the light of day.
How did you go about sequencing the work?
With ‘Destroying Everything’ it’s quite sporadic. It was a difficult volume to edit as I didn’t have a book in mind when I was taking a lot of these pictures. The time span for the book is 1997 – 2013. I needed to edit a selection of photos that worked with each other as well as the title.
ricky adam scanning
How has your work been received outside the bmx community? 
It’s surprisingly done really well. Although, you have to consider that it’s not strictly a BMX book. It has elements of BMX but the focus is on youth sub culture. So, it’s appeal is more wide reaching. I’ve found that a lot of people who have picked up the book aren’t necessarily into punk or BMX. But they can still relate to it & get something out of it. Which is cool. Apparently, the main demographic who have purchased it, are teenagers (angry teenagers) haha. I’m pretty sure I too would have liked seeing this book when I was younger.
What’s the importance of shooting personal projects outside of bmx?
I really need to. I mean, I’d get burnt out shooting anything over a sustained, long period.  It’s good for me to have a few different projects going on simultaneously. This way I can leave one for a while and then go back to it again. Recently, I haven’t been taking that many BMX photos. I’ve been doing other photo work which has meant stepping back a little from BMX. (At least for the time being).
Any other projects in the works at the moment?
Recently, I’ve been going through my archive. Scanning lots of negatives and prints. There’s a lot of pictures, that for some reason I skipped over the first time around. Over the years my eye has become more refined, which in turn helps with editing. So, at the moment, lots of sorting and editing. I’m always taking photos, and the more photographs I accumulate, the more scope there is for shaping other projects. I want to do something with my street photos eventually, as well as the other projects I have going on. I’m not in any rush. When it feels right, I’ll do something with them.
I’m currently working on a book about my time spent in the Midwest of America from 2001-2005. Titled: ” The Freezing Heart Of America”. Until recently, I hadn’t really looked at the photos properly. For the last 8-12 years they have been laying dormant. Partially forgotten about. Prints and negatives messily piled up in the squeaky, bottom drawer of a grey filing cabinet. It’s getting there. i just need to finalize a few things.
super america
midwest cowboy
glad to cover 6
A few months ago I made a photo Zine’ about punk jackets titled ‘Glad To See The Back Of You’. Basically snapshots of the back of punk jackets from the region of the U.K. I live in.
When’s your new book being released? and where can people get a copy?
I’m not sure of the exact date. I do know that it’s due to be released soon. By the end of 2013.  The extended, 2nd edition of ‘Destroying Everything’ will have more pages, slightly different layout, updated soft cover & it’ll be cheaper and a lot more readily available. It’s being published by Drago Arts & Communications and is currently available for pre – order from Amazon as well as a host of other good bookstores.coming soon lo res fbb

Photo Gallery – Kill The Line Qualifiers

Rider: Max Bimar, Trick: whip

A photo gallery from the qualifying round of the Kill The Line event in southern France shot by George Marshall is online here for your viewing pleasure.