Photo of the Week: Joshua Lucero

jaron by joshua

In this week’s photo, I was taken in by the excellent lighting- that rim light on his left shoulder is clutch, without it his black shirt would just fade into the night. I really like the scraps of concrete flying out from under his peg. The composition is proper, with lines as visuals cues pointing your attention to the subject. There is a nice range of tones from black to white (it isn’t muddy like a lot of converted B&W images are). Obviously the shot is perfectly timed.

“Decided to go riding at the local skatepark with my friend Jaron Turnbow on my day off and try out some new gear. I had just received new light stands a few days before and after a park session I asked Jaron if he wanted to shoot a few things with my new set up.

We shot a few other tricks before this but as it got darker I started seeing sparks and dust when Jaron would downside chink the hip in his lines. I had an idea to capture the dust and hopefully some sparks when he did it so I had him do it a couple of times.

The first few weren’t exactly what we were hoping for so he started trying to slide them a bit more and we ended up with this shot. Getting the timing right was difficult for the first few tries but after I got that down the shot panned out and I was able to capture a couple of sparks and some dust like I had wanted.

I grayscaled the image in post because I liked the dramatic effect it had on the scene.

As far as equipment and settings go, the photo was shot with a Canon 5D mark III with a 24-70L at 57mm, ISO 640, f/2.8 at 1/200th. Strobes were two Canon 580ex flashes, one camera right at 1/16th power, and one to right and behind the subject at 1/16th +.07 power triggered with Pocket Wizard plus III’s.”

More of Joshua’s work can be seen here.

Add your images to the Flickr group for a chance to be next week’s photo.

Photo of the Week: George Herbert

george herbert

I chose this photo because I enjoy the ambience- you can almost feel the silence of that night. You hear a faint cassette hub in the distance and the sound grows louder. From behind the bushes emerges Rob Philips as he heads straight for the fence. For a moment, in mid-flight, everything is silent again. The next noise is a subtle “pop” from the flashes of George Herbert. All you can see for that split second is the rider in a perfect stylish hop, clear over the fence with no more worries than rolling away clean. That split second has become the photo of the week.

“This photo was shot a month or two ago when the English winter was providing us with its finest cold weather and short days. This spot is a bust in the day when people are working in the building conjoining the carkpark so after a bit of a warm up at the local we set out to go have a session on it.

I’d bust my thumb up a couple of days earlier so wasnt to keen to ride but asked around if anyone was up for shooting something and Rob was keen. He started to scope out what he was feeling whilst I set up. Rob’s a stylish dude and got serious pop so when he opted for a straight hop I was definitely down to shoot it.

As for set up it was shot on my Canon 550d with a Pentax SMC 50mm f1.7 with a K mount to EOS adapter. I used two Yongnuo 560 mk II’s one slightly camera left and elevated on a stand at 1/32 power and one further camera left at 1/16 power. Camera settings were 1/50 f5.6 ISO400. The main issue I had was balancing the exposure of the ambient light to the flash. I’m really pleased how the image turned out I particularly dig the colours and the shadow on the wall. Think it could of benefited from some gels on the flashes to balance the nasty orange light from the streetlights but thats just nit picking.”

Check out more of George’s work here.

Add your images to the Flickr group for a chance to be next week’s photo.

Photo of the Week: Jason Colledge

TomRoweicepick

This composition is untraditional with the action taking place directly in the center of the frame, but I feel that with the red frame sticking out of the predominately blue surroundings, it’s a great place for the subject to be. The yellow lines on the ground and on the sign on the right make the blue even stronger. The lighting is simple and creates a natural, pleasing vignette around the edges of the image. Icepicks are always nice to shoot, and that ledge looks like a good time.

“So after a lazy day after coming off shift I had a phone call from Tom in the evening asking if I was up for “Duzzy ledge” for an hour or so. Duzzy ledge (industrial estate ledge) is pretty sweet set up to be honest, very rare that you get hassled there, waxed up a treat, doubles up as a manual pad and is almost a bank to sub with the gradient of the parking spaces too.

Recently I’ve gotten myself into a habit of making sure my camera bag goes wherever I go and I’m glad it came with me on this venture. After having a good shred with Tom and Che, I thought I’d have a play with the camera. Instantly I knew I wanted to shoot something dead pan, I feel this setup worked well for that approach, the paint on the floor gave a form of symmetry which I wanted to include. I asked Tom to do a few icepicks and fired off a few shots before capturing him as central as possible. Good job Tom liked to slide icepicks…

I had two Vivitar 285hvs plugged into a FlexTT5 (one in the hot shoe and one into p2) to the left out of frame about 15ft both at 1/2 power and two Canon 540ez same again into FlexTT5 on the right out of frame at 1/2 power, triggered by a miniTT1 and shot with a 60D at f6.3 1/160 ISO320.”

Check out more of Jason’s work here.

Add your images to the Flickr group and be next week’s photo.

Photo of the Week: Alex Jaquez

jaquez potw

You don’t need to be a photographer to appreciate the lighting in this photo. The twilight backdrop adds a beautiful, almost fake gradient that fades into the distant mountains. I am certain that this photo wouldn’t be as striking had it been midday. The flash placement inside the bowl corner is optimal to show where the rider is coming from and going to. The composition is super clean- a prime example of the rule of thirds. Not to mention that inverts pretty much cannot get any more inverted than this.

“On the day this photo was shot Tazz and I had made the short drive south from Albuquerque to Los Lunas to help dig at some backyard trails that were in the works. After digging at the rained out trails for a while, everyone was ready to get some riding in so we relocated to the small concrete park nearby.

We had a fun session and toward sunset Tazz and some of the Los Lunas locals were sessioning “the U-bowl”. It’s maybe seven feet deep with super mellow transitions and very little flat bottom. Tazz can shred anything you put in front of him so it didn’t take too long for him to start boosting some tricks out it.

I had recently bought a Nikon 70-200mm and right away I could tell this was a perfect opportunity to put it to use. The deck of U-bowl is elevated by about two feet from the rest of the park. This gave me the ability to get a lower angle,hide my light source in the middle of the frame and also put Tazz above the trees in the background. I put a Sunpak 522 and a Sunpak 120j mounted next to each other on a light stand in the flat bottom. The flash were set at 1/4 power and pointed up toward Tazz from underneath. There was also a Quantum Q-flash set to quarter 1/4 power on the deck to just out of the frame about four feet up. My D300 was set to f/4.8 and a shutter speed of 1/125 to try to catch some of the fading ambient light.

We snapped a few frames of good inverts but Tazz wasn’t satisfied. He says that the best way to get a clicked invert is shirtless so that you don’t catch your bars on it. So.. despite it being late January he took the shirt off and buzzed his tire on his bare shoulder a few times ’til we got one he was content with. That’s the sort of thing that makes Tazz my favorite dude shoot with-he’s always super stoked to ride and down put in a good time for a clip or photo, whether he’s in front of the lens or, much of the time behind it as well. Long live the juke life!”

Check out more of Alex’s work here.

Add your best images to the Flickr group for a chance to be next week’s photo.

“Turn Off The Light” by Between Two Coffees

http://vimeo.com/63807783

Check out some behind the scenes photos here. How great is the name “Between Two Coffees”? I am there right now.

Google Street View Hyperlapse

This. Is. Awesome. Read more about it here.

Academy Skatepark Promo by Jon Edwards

Title – Welcome to the Academy

Camera: Nikon D7000
Lens: Nikkor AF-S 35mm f1.8 DX
1920 x 1080 HD / 16:9 / 24fps

Music: Miracle Fortress – Raw Spectacle
From the album – Was I The Wave

The skatepark at the time of filming was yet to be completed and the deadline for the project was a week before the official launch date, so we had to work around unfinished areas, missing copings, and continued building work. So it was decided to shoot close cropped views of the park to excite the viewer and generate interest to visit the park.

The ceiling lights were a mix bag of fluorescent so we decided a monochrome theme would make the park look more established and classic whilst removing the colour issue. Sports wise we drafted in some locals and really didn’t need anything to groundbreaking, again the emphasis was on the park rather than the riding or skating. The final promo was also very graphically heavy to further establish the brand identity, and drill the new logo and park into the viewers head.

Feedback has been great so far and park is open for business.

www.academyskatepark.co.uk
www.facebook.com/AcademySkatepark

Which has brought us to The Sony Production Awards:

http://productionawards.sony.eu/videos/view/c24a4f86711deb9e89d310d9797e8832/

Photo of the Week: Agus Glauber

agus potw

For this week’s photo, I decided to keep it simple and choose a natural light B&W image. My absolute favorite part about the photo is the interest from not only the passerby, but also her dog. They are both so amazed by the most simple physics of BMX. Who knows what the fuck the dog is actually thinking, but I’m sure that woman doesn’t see BMX everyday, and so when a kid on a bike is pedaling pretty fast at nothing in particular, it draws attention from pedestrians. Even a simple hop can brighten someone’s day.

“This picture was taken on a day cruising near Timo’s house, looking for new spots to film/shoot pictures at. This was the second spot we found within the same block, and since it’s a kindergarden, we had to wait just 5 minutes till all the moms and dads take them kids home. Once it was closed, before starting to film, we both thought of taking a simple hop gap picture, to get a cassual and improvised look; since in the end, that was our thing there, just cruising around with nothing premeditated, it was a very natural caption. While riding there, several people got mad at us for riding the kindergarden facilities, saying we were causing structural damages, even when it was clearly noticeable my friend was using nothing but both his air-filled wheels. This picture was the second try, the first one wasn’t as tight as this one, plus I got some distracting group of people in the background. The passerby and her dog add some interest to the picture so I called this one done. This was taken with my simple digital setup, just a D60 and a 50 1.8 prime. The crop was necessary because the building’s balcony on top was full of distracting objects, so was the area at the left of the stairset. Including the passerby and her dog was a must.”

Check out Agus’ Flickr and Tumblr.

Upload your best images to the Flickr group and be next week’s photo.

Making A Photograph – Carl Wilson

bambi savakas wallpaper

“This rail got built about 6 months ago, I always thought it would make a good picture, as it really represents contemporary British estates in our area.

I drive past the rail regularly and have always wanted to see someone go down it, but it’s pretty high (An easy ball sacking type of rail.) I was out with a couple of the Savakas geezers and we stopped by on the way to somewhere else. Louie took a look and seemed up for it. He’s a beast on most things so it all fits together.

As I’m setting up we spot the police down the road so we have to wait till they have gone, but then the police start walking towards us. They walk straight past us to a guy outside his house right next to the rail, he’s fixing up some old dodgy BMX! So weird!

They arrest him and leave us alone whilst a body builder talks to us about Choppers.

Louie does it first try but he is not happy with it so wants to do another. He has another two goes and breaks his stem. We tried to use the stem from another bike but don’t have the tools.

After leaving and getting another stem (a prehistoric unit!), we return to a bunch of chavy girls running around.

Louie got back up there and done it real good and thats the picture you see. He doesn’t ride rails much, this was his second rail, the first done several days earlier.

I shot it on a Nikon d7000 with a 50mm 1.4 lens, Yongnuo yn565ex to the left on the grass bank, then a Metz 45 cl4 right in front of him just out of frame. I shot on ISO 200, 50mm , f/8 and shutter 1/200.”

Carl Wilson

Photo available as a desktop wallpaper from Savakas.

“A Different Vision: Simple Session 13” by Dmitri Shushuyev

http://vimeo.com/63082841

“For a lot of people who are watching and to a lot of riders who participate it is a major event. Last time I’ve been at Simple Session was in 2010, where I focused on filming most of the riding and to be honest thought that that was what I needed and wanted to film. Through recent years I’ve discovered that filming only riding gets boring over time and it does not give me the same satisfaction on completion as it used to before. Therefore this year I’ve decided to take a different path to this event and my newly acquired camera gear allows me to explore more possibilities than before.

I approached it from a different perspective and wanted to catch the beauty of the tricks, the people themselves, their emotions, the moments that the viewers don’t really get to see while sitting at home or sitting at the venue itself. Another aspect was to enjoy myself more and feed from the riders, the atmosphere surrounding and to meet new people. Of course the trickery that was unleashed was no doubt insane, however I got to enjoy it more than I did before, simply because creating something artsy and about the people is so much more rewarding.

I got to talk with Misha Rostomyan who is a very soulful rider and about the transformation of his style of riding as to where it was and where to it’s heading. Be on the lookout for some very interesting way of riding. Since I could not film the finals due to that only those who had STAFF badges could, I got to hang out with the Subrosa team and just goof around.

Also I tried filming skateboarding this year, however due to lack of knowledge and understanding I have unfortunately failed to capture a whole lot of it.

However, due to this and the fact that I could not film the finals I did get to experience my other passion, which is photography. Again my choice/direction was to capture the riders in their own element with both analog and digital cameras. Check the photos here:

ANALOG
flickr.com/photos/dmitri_shushuyev/sets/72157633106296166/

DIGITAL
flickr.com/photos/dmitri_shushuyev/sets/72157633053769340/

Follow me on:

FB: facebook.com/DmitriShushuyevMedia
Twitter: @DmitriShushuyev
Instagram: DmitriShushuyev
Vine: DmitriShushuyev

Technical info:
– Canon 7D
– Tokina 11-16 mm f 2.8
– Glidecam HD-2000″

Dmitri Shushuyev